"When I call poetry a form of partiality," writes Heather McHugh, "I mean its economies operate by powers of intimation: glimmering and glints, rather than exhaustible sums. It is a broken language from the beginning, brimming with non-words: all that white welled up to keep the line from surrendering to the margin; all that quiet, to keep the musics marked." In Broken English, McHugh applies her poetic sensibility and formidable critical insight to topics ranging from the poetry of Valery and Rilke to ancient Greek drama and Yoruba folk songs, offering intense, passionate, highly personal readings that are informed and unified by her concern for the relationships among language, culture, and poetry.
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"A truly major book . . . I am tempted to say that with this book American poetry reclaims for itself true intellectual status, and McHugh does so with a marvellously selfless intensity that exemplifies much of what she says about the 'I.' This is love of poetry, and sharp criticism of her American peers, which represents itself at the highest levels of intellectual ambition without any egoistic posing. I know of no better writing on Dickinson, Rilke, and Celan." -- Charles Altieri
About Heather McHugh
HEATHER MCHUGH is a Professor of English at the University of Washington. She has published four books of poetry and two of translation; her most recent collections are Shades (1988) and To the Quick (1987), both published by Wesleyan University Press.
Broken English by Heather McHugh
Used - Very Good
University Press of New England
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