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White Walls, Designer Dresses By Mark Wigley

White Walls, Designer Dresses

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This work attempts to provide a new understanding of the historical avant-garde by analyzing the "clothing" of modern architecture. The author examines the relationships between architectural surfaces and clothing fashions and colour.

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White Walls, Designer Dresses Summary


White Walls, Designer Dresses: The Fashioning of Modern Architecture by Mark Wigley

Mark Wigley offers an understanding of the historical avant-garde. He explores a feature of modern architecture - white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by 19th-century buildings, Wigley argues that modern buildings are not naked. The white wall is itself a form of clothing - the newly athletic body of the building, like that of its occupants, wears a new kind of garment and these garments are meant to match. Not only did almost all modern architects literally design dresses, Wigley points out, their arguments for a modern architecture were taken from the logic of clothing reform. Architecture was understood as a form of dress design. Wigley follows the trajectory of this key subtext by closely reading the statements and design of most of the protagonists, demonstrating that it renders modern architecture's relationship with the psychosexual economy of fashion much more ambiguous than the architects' endlessly repeated rejections of fashion would suggest. Indeed, Wigley asserts, the very intensity of these rejections is a symptom of how deeply they are embedded in the world of clothing. By drawing on arguments about the relationship between clothing and architecture first formulated in the middle of the 19th century, modern architects in fact presented a sophisticated theory of the surface, modernizing architecture by transforming the status of the surface. "White Walls, Designer Dresses" shows how this seemingly incidental clothing logic actually organizes the detailed design of the modern building, dictating a system of polychromy, understood as a multicoloured outfit. The familiar image of modern architecture as white turns out to be the effect of a historiographical tradition that has worked hard to suppress the colour of the surfaces of the buildings that it describes. Wigley analyzes this suppression in terms of the sexual logic that invariably accompanies discussions of clothing and colour, recovering those sensuously coloured surfaces and the extraordinary arguments about clothing that were used to defend them.

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White Walls, Designer Dresses Reviews


"A brilliant and masterful work that forces one to reconsider essential aspects of modernities, obsessions, and representations."--Mark Jarzombek, M.I.T.
"Mark Wigley's book is a major challenge to the received history of twentieth-century architecture. Its brilliant inquiry into the exceptional role played by "whiteness" in modern design brings to light all the unexamined assumptions and rhetorical operations through which a certain image of the modern has become entrenched in architectural thought. A virtuoso reader of buildings and texts, Wigley shows how much had to be forgotten, finessed, or placed beyond question for the canonical histories of the modern movement to do their work. In the process, he brings the discussion of modern architecture to a new level of conceptual sharpness and historical self-awareness."--Norman Bryson, Harvard University
& quot; A brilliant and masterful work that forces one to reconsider essential aspects of modernities, obsessions, and representations.& quot; -- Mark Jarzombek, M.I.T.
& quot; Mark Wigley's book is a major challenge to the received history of twentieth-century architecture. Its brilliant inquiry into the exceptional role played by & quot; whiteness& quot; in modern design brings to light all the unexamined assumptions and rhetorical operations through which a certain image of the modern has become entrenched in architectural thought. A virtuoso reader of buildings and texts, Wigley shows how much had to be forgotten, finessed, or placed beyond question for the canonical histories of the modern movement to do their work. In the process, he brings the discussion of modern architecture to a new level of conceptual sharpness and historical self-awareness.& quot; -- Norman Bryson, Harvard University
" A brilliant and masterful work that forces one to reconsider essential aspects of modernities, obsessions, and representations." -- Mark Jarzombek, M.I.T.
" Mark Wigley's book is a major challenge to the received history of twentieth-century architecture. Its brilliant inquiry into the exceptional role played by " whiteness" in modern design brings to light all the unexamined assumptions and rhetorical operations through which a certain image of the modern has become entrenched in architectural thought. A virtuoso reader of buildings and texts, Wigley shows how much had to be forgotten, finessed, or placed beyond question for the canonical histories of the modern movement to do their work. In the process, he brings the discussion of modern architecture to a new level of conceptual sharpness and historical self-awareness." -- Norman Bryson, Harvard University

Additional information

GOR004857025
White Walls, Designer Dresses: The Fashioning of Modern Architecture by Mark Wigley
Mark Wigley
Used - Very Good
Hardback
MIT Press Ltd
1996-04-02
452
0262231859
9780262231855
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us.