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Women Making Art Marsha Meskimmon

Women Making Art By Marsha Meskimmon

Women Making Art by Marsha Meskimmon


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Summary

Women's art has often been seen as secondary or has gone unrecognized altogether. Mobilizing contemporary feminist thinking, Marsha Meskimmon questions why this should be so and what it would take for us to realize the extent of women's extraordinary contribution to the arts.

Women Making Art Summary

Women Making Art: History, Subjectivity, Aesthetics by Marsha Meskimmon

Women have been making art for centuries, yet their work has been seen as secondary or has gone unrecognised altogether. Women Making Art asks why this is so, and what it would take for us to realise the extent of women's extraordinary contribution to the arts. Marsha Meskimmon mobilises contemporary feminist thinking to reconsider how and why women have made art. She examines work by a wide range of women artists from different cultures and historical periods, including Rebecca Horn, Rachel Whiteread, Shirin Neshat and Maya Lin, emphasising the diversity of women's art and the importance of differences between women.

Table of Contents

Section 1 - History: Introduction 1. Exiled Histories: Holocaust and Heimat 2. Corporeal Cartographies: Anglophone Women of the African Diaspora 3. Re-inscribing Histories: Viet Nam and Representation Section 2 - Subjectivity: Introduction 4. Embodiment: Space and Situated Knowledge 5. Performativity: Desire and the Inscribed Body 6. Becoming: Science, Art and Wondrous Machines Section 3- Aesthetics: Introduction 7. Pleasure and Knowledge: 'Orientalism' and Filmic Vision 8. The Word and the Flesh: Text/Image Remade 9. The Place of Time: Australian Feminist Art and Theory Afterword

Additional information

GOR010969902
9780415242783
0415242789
Women Making Art: History, Subjectivity, Aesthetics by Marsha Meskimmon
Used - Like New
Paperback
Taylor & Francis Ltd
20030116
240
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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