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Under Blue Cup By Rosalind E. Krauss (Editor, October magazine  Professor, Columbia University)

Summary

A personal journey leads a celebrated critic to discover "knights of the medium," contemporary artists who battle the aesthetic meaninglessness of the post-medium condition.

Under Blue Cup Summary

Under Blue Cup by Rosalind E. Krauss (Editor, October magazine Professor, Columbia University)

A personal journey leads a celebrated critic to discover "knights of the medium," contemporary artists who battle the aesthetic meaninglessness of the post-medium condition.

In Under Blue Cup, Rosalind Krauss explores the relation of aesthetic mediums to memory-her own memory having been severely tested by a ruptured aneurysm that temporarily washed away much of her short-term memory. (The title, Under Blue Cup, comes from the legend on a flash card she used as a mnemonic tool during cognitive therapy.) Krauss emphasizes the medium as a form of remembering; contemporary artists in what she terms the "post-medium" condition reject that scaffolding. Krauss explains the historical emergence of the post-medium condition and describes alternatives to its aesthetic meaninglessness, examining works by "knights of the medium"-contemporary artists who extend the life of the specific medium.

These artists-including Ed Ruscha, William Kentridge, Sophie Calle, Harun Farocki, Christian Marclay, and James Coleman-reinstate the recursive rules of a modernist medium by inventing what Krauss terms new technical supports, battling the aesthetic meaninglessness of the post-medium condition. The "technical support" is an underlying ground for aesthetic practice that supports the work of art as canvas supported oil paint. The technical support for Ruscha's fascination with gas stations and parking lots is the automobile; for Kentridge, the animated film; for Calle, photojournalism; for Coleman, a modification of PowerPoint; for Marclay, synchronous sound. Their work, Krauss argues, recuperates more than a century of modernist practice.

The work of the post-medium condition-conceptual art, installation, and relational aesthetics-advances the idea that the "white cube" of the museum or gallery wall is over. Krauss argues that the technical support extends the life of the white cube, restoring autonomy and specificity to the work of art.

Under Blue Cup Reviews

...[D]eeply descriptive and philosophically rigorous.

-Publishers Weekly

Under Blue Cup is an extraordinary exercise in art critical writing.

-Art Monthly

Under Blue Cup is a book whose importance cannot be overstated.

-Jan Baetens , Leonardo Reviews

About Rosalind E. Krauss (Editor, October magazine Professor, Columbia University)

Rosalind E. Krauss is University Professor in the Department of Art History at Columbia University, where, from 1995 to 2006, she held the Meyer Schapiro Chair in Modern Art and Theory. She is a founding editor of October and the author of Passages in Modern Sculpture, The Originality of the Avant-Garde and Other Myths, The Optical Unconscious, Bachelors, Perpetual Inventory, Under Blue Cup (all published by the MIT Press), and other books.

Additional information

NGR9780262016131
9780262016131
0262016133
Under Blue Cup by Rosalind E. Krauss (Editor, October magazine Professor, Columbia University)
New
Hardback
MIT Press Ltd
2011-10-18
152
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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