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Sucker Punch Roy Williams

Sucker Punch By Roy Williams

Sucker Punch by Roy Williams


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Sucker Punch Summary

Sucker Punch by Roy Williams

Right, you know the rules, watch the low blows, if it's a knock-down no messing about, go straight to your corner, and don't come out till called for, are we clear? Touch gloves, let's go. In the red corner: Leon Davidson - Black British champ or Uncle Tom? In the blue corner: Troy Augustus - American powerhouse or naive cash cow? Having spent their youth in the same London boxing gym, vying for the favouritism of inspirational, foul-mouthed trainer Charlie Maggs, the two former friends step into the ring and face up to who they are. Boxing has dominated their lives with an unhoped-for structure and meaning, but it becomes clear that it is no substitute for their health, family, and friends. Roy Williams' Sucker Punch looks back on what it was like to be young and black in the 1980s and asks if the right battles have been fought, let alone won. With an introduction by Harry Derbyshire, Lecturer in English and Drama at the University of Greenwich.

Sucker Punch Reviews

Williams skillfully uses the ring to create a fable about race and money. He shows how Leon and Troy enjoy the illusion of autonomy but are ultimately at the mercy of promoters, for whom they are just meal tickets. * Guardian *

About Roy Williams

Roy Williams, OBE, worked as an actor before turning to writing full-time in 1990. He graduated from Rose Bruford in 1995 with a first class BA Hons degree in Writing and participated in the 1997 Carlton Television screenwriter's course. His plays include The No Boys Cricket Club (Theatre Royal, Stratford East, 1996); Starstruck (Tricycle Theatre, London, 1998); Lift Off (Royal Court Theatre Upstairs, 1999); Night and Day (Theatre Venture, 1996); Josie's Boys (Red Ladder Theatre Co., 1996); Souls (Theatre Centre, 1999); Local Boy (Hampstead Theatre, 2000); The Gift (Birmingham Rep/Tricycle Theatre, 2000); Clubland (Royal Court, 2001); Fallout (Royal Court Theatre, 2003); Sing Yer Heart Out for the Lads (National Theatre, 2002, 2004); Little Sweet Thing (New Wolsey, Ipswich/ Nottingham Playhouse/Birmingham Rep, 2005), Slow Time (National Theatre Education Department tour, 2005), Days of Significance (Swan Theatre, Stratfordupon- Avon, 2007), Absolute Beginners (Lyric Theatre, Hammersmith, 2007), Joe Guy (Tiata Fahodzi/Soho Theatre, 2007), Baby Girl (National Theatre, 2007), Out of the Fog (Almeida Theatre, 2007), There's Only One Wayne Matthews (Polka Theatre, 2007), Category B (Tricycle Theatre, 2009) and Sucker Punch (Royal Court, 2010). He also contributed A Chain Play (Almeida Theatre, 2007), Sixty Six (Bush Theatre, 2011), Advice for the Young at Heart (UK tour, 2013) and Kingston 14 (Theatre Royal Stratford East, 2014). He was awarded the OBE for Services to Drama in the 2008 Birthday Honours List.

Additional information

NPB9781472574350
9781472574350
1472574354
Sucker Punch by Roy Williams
New
Paperback
Bloomsbury Publishing PLC
2015-05-21
112
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a new book - be the first to read this copy. With untouched pages and a perfect binding, your brand new copy is ready to be opened for the first time

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