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The Baader-Meinhof Complex Stefan Aust

The Baader-Meinhof Complex By Stefan Aust

The Baader-Meinhof Complex by Stefan Aust


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Summary

The rise and fall of the Baader-Meinhof group constitutes one of the most remarkable phenomena of post-war Europe. A group of young people, middle-class backgrounds, took the law into their own hands, and by means of arson, bombing, kidnap and murder sought to alter the direction of national, and indeed international, politics.

The Baader-Meinhof Complex Summary

The Baader-Meinhof Complex by Stefan Aust

The rise and fall of the Baader-Meinhof group constitutes one of the most remarkable phenomena of post-war Europe. A group of young people, most of them from solid, middle-class backgrounds, took the law into their own hands, and by means of arson, bombing, kidnap and murder sought to alter the direction of national, and indeed international, politics.

Rooted in the student protest movement of the late 1960s, the story of the group begins in May 1970 with the freeing of Andreas Baader - imprisoned for planting fire bombs in protest against the Vietnam War - by Ulrike Meinhof, Gudrun Ensslin and others. They spent the years that followed requisitioning apartments from left-wing sympathisers, stealing cars and robbing banks in preparation for attacks on US military bases.

After an intense manhunt, the ringleaders of the group, which now called itself the Red Army Faction (RAF), were finally captured in 1972. Their prolonged trial began in 1975 and lasted for almost 2 years, in the course of which Ulrike Meinhof hanged herself in her cell. The other members of the group were convicted and received life sentences.

The 'war of six against sixty million' (Heinrich Boell) reached its climax in the autumn of 1977 when supporters tried to secure their release by kidnapping the president of the German Employers' Association, Hanns Martin Schleyer, and later by hijacking a Lufthansa jet, which was eventually captured by German special forces at Mogadishu airport. On the morning the rescue was announced, Andreas Baader, Gudrun Ensslin and Jan-Carl Raspe were all found dead in their cells. The 'German Autumn' marked the violent peak of a journey that had begun with peaceful protests against the American war in Vietnam : moral outrage had turned into blatant immorality.

Stefan Aust's utterly absorbing account of these events reads like a first-class thriller. The Baader-Meinhof Complex is the definitive chronicle of seven years that changed Germany.

The Baader-Meinhof Complex Reviews

Tautly written, gripping and suspenseful * Guardian *
Filled with fascinating information and piquant details * Literary Review *
Stefan Aust is well placed to write the history of the most notorious of several terrorist groups -- Michael Burleigh * Sunday Telegraph *
Stephen Aust's meticulously researched chronicle of German left-wing terrorism -- Philip Oltermann * Guardian *
Meticulous history of the most famous German terrorist group -- Dominic Sandbrook * Daily Telegraph *

About Stefan Aust

Stefan Aust was for many years the editor-in-chief of the political weekly Der Spiegel, Germany's most influential news magazine. He is also the founder and current publisher of Spiegel TV. He worked in the editorial offices of konkret from 1966 to 1969 and played a part in the events described in this book. Between 1970 and 1985 he made numerous documentaries for North German Television. He wrote the script for the feature film Stammheim, which won the top award at the 1986 Berlin Film Festival. He worked with Bernd Eichinger on the script for the film The Baader-Meinhof Complex (2008), which is based on this book.

Additional information

GOR010429037
9781847920454
1847920454
The Baader-Meinhof Complex by Stefan Aust
Used - Like New
Paperback
Vintage Publishing
20081106
480
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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