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Conversations after a Burial Yasmina Reza

Conversations after a Burial By Yasmina Reza

Conversations after a Burial by Yasmina Reza


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Condition - Very Good
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Summary

Simon Weinberg is dead. And, on a November morning, six people gather at his funeral - brothers and a sister, lovers and in-laws. Mourning allows them a special privilege and, for a few hours, they are isolated in another world under a lingering sun, in the shadow of the deceased.

Conversations after a Burial Summary

Conversations after a Burial by Yasmina Reza

Simon Weinberg is dead. And, on a November morning, six people gather at his funeral - brothers and a sister, lovers and in-laws. Mourning allows them a special privilege and, for a few hours, they are isolated in another world under a lingering sun, in the shadow of the deceased. Written by the winner of the award-winning Art, Conversations after a Burial is a savage but richly comic play which explores that ineffable moment of mourning, when the newly deceased is still almost palpable, the moment in which one can maintain the memory of a breath, the intense pause between absence and the return to everyday existence, between loss and life.

About Yasmina Reza

Yasmina Reza is a French playwright and novelist, based in Paris, whose works have all been multi-award-winning, critical and popular international successes. Her plays, Conversations After a Burial, The Passage of Winter, Art, The Unexpected Man, Life x 3, A Spanish Play and The God of Carnage have been produced worldwide and translated into thirty-five languages. Novels include Hammerklavier, Une Desolation, Adam Haberberg, Dans la Luge d'Arther Schopenhauer, Nulle Part and L'Aube le Soir ou la Nuit. Film includes Le Pique-Nique de Lulu Kreutz directed by Didier Martiny. Christopher Hampton was born in the Azores in 1946. He wrote his first play, When Did You Last See My Mother? at the age of eighteen. Since then, his plays have included The Philanthropist, Savages, Tales from Hollywood, Les Liaisons Dangereuses, White Chameleon, The Talking Cure and Appomattox. He has translated plays by Ibsen, Moliere, von Horvath, Chekhov, Florian Zeller (including The Father), Daniel Kehlman and Yasmina Reza (including Art and Life x 3). Musicals include Sunset Boulevard and Stephen Ward, both with Andrew Lloyd Webber and Don Black. His television work includes adaptations of The History Man and Hotel du Lac. His screenplays include The Honorary Consul, The Good Father, Dangerous Liaisons, Mary Reilly, Total Eclipse, The Quiet American, Carrington, The Secret Agent and Imagining Argentina, the last three of which he also directed, and A Dangerous Method, based on his play The Talking Cure. Appomattox was first presented on the McGuire Proscenium Stage of the Guthrie Theater, Minneapolis, USA, in September 2012 as the centrepiece of a major retrospective of his plays and films. It was subsequently turned into an opera by Philip Glass and premiered at the Kennedy Center, Washington in November 2014., Christopher Hampton was born in the Azores in 1946. He wrote his first play, When Did You Last See My Mother?, at the age of eighteen. Since then, his plays have included The Philanthropist, Savages, Tales from Hollywood, Les Liaisons Dangereuses, White Chameleon, The Talking Cure, Appomattox and A German Life. He has translated plays by Ibsen, Moliere, von Horvath, Chekhov and Yasmina Reza. This is his seventh translation of a play by Florian Zeller, including The Father, which he subsequently co-wrote for the screen with Florian Zeller. His television work includes adaptations of The History Man, Hotel du Lac and The Singapore Grip. His screenplays include The Honorary Consul, The Good Father, Dangerous Liaisons, Mary Reilly, Total Eclipse, The Quiet American, Atonement, Cheri, A Dangerous Method, Carrington, The Secret Agent and Imagining Argentina, the last three of which he also directed.

Additional information

GOR003817589
9780571204410
0571204414
Conversations after a Burial by Yasmina Reza
Used - Very Good
Paperback
Faber & Faber
20000918
96
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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