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Critical Muslim 22: Utopia By Ziauddin Sardar

Critical Muslim 22: Utopia by Ziauddin Sardar

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Summary

Critical Muslim look at utopias.

Critical Muslim 22: Utopia Summary

Critical Muslim 22: Utopia by Ziauddin Sardar

Hassan Mahamdallie gets spiritual in a commune; Marco Lauri visits Ibn Tufayl's twelfth-century island utopia Hayy Ibn Yaqdan; Malise Ruthven interrogates modernity and Islamic utopias, Nazry Bahrawi is sceptical about secular utopias; and Sadek Hamid traces the rise and fall of the utopian vision of Hizb-ut-Tahrir. Also in this issue: orientalist utopias in Andalusia, feminist futures, and was the Prophet's Medina a utopia? Not forgetting poems, short stories, the Last Word and the List.About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

About Ziauddin Sardar

Ziauddin Sardar is a renowned writer, broadcaster and cultural critic. A former columnist on the New Statesman, he has also served as a Commissioner on the Equality and Human Rights Commission. He is professor of Law and society at Middlesex University, and the author of numerous books, the most recent being Reading the Qur'an (Hurst); Desperately Seeking Paradise: Journeys of a Sceptical Muslim (Granta); What Do Muslims Believe? (Granta); and Balti Britain: A Provocative Journey Through Asian Britain (Granta).

Additional information

GOR010635710
9781849048248
184904824X
Critical Muslim 22: Utopia by Ziauddin Sardar
Used - Like New
Paperback
C Hurst & Co Publishers Ltd
2017-04-27
256
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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