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Improvisation in Rehearsal
by John Abbott
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$34.99
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Improvisation Starters
by Philip Bernardi
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Direction
by Simon Shepherd
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Holistic Bodywork for Performers
by Janet Free
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Classical Monologues For Men
by Chrys Salt
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Great Directors at Work
by David Richard Jones
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Great Theatrical Disasters
by Gyles Brandreth
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Applied Theatre
by Kenneth Richards
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The Lord Chamberlain Regrets
by Dominic Shellard
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$84.99
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AQA Advanced Drama and Theatre Studies Textbook
by Richard Vergette
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Theatre's Strangest Acts
by Sheridan Morley
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Drury Lane to Dimapur
by Doreen Hawkins
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Ultimate Improv Book
by Edward J Nevraumont
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Make-Up, Hair and Costume for Film and Television
by Jan Musgrove
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Stanislavsky and Intimacy
by Joelle Re Arp-Dunham
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Young Vic Taking Part Collection 1
by Luke Barnes
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Community Performance: An Introduction
by Petra Kuppers
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TALLULAH BANKHEAD
by David Bret
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$31.99
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Theatre and the World
by Rustom Bharucha
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The Complete Dramatic Works of Tang Xianzu
by Tang Xianzu
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Performance and Participation
by anna six (Univ of Warwick, Room F03, Coventry)
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Laurence Olivier
by Donald Spoto
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A History of Irish Theatre 1601-2000
by Christopher Morash (National University of Ireland, Maynooth)
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Exit Through the Fireplace
by Kate Dunn
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Performance Theatre and the Poetics of Failure
by Sara Jane Bailes (University of Sussex, UK)
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Monologues for Teenage Girls
by Susan Pomerance
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Playing Lear
by Oliver Ford Davies
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The Secrets of Screen Acting
by Patrick Tucker
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Renaissance Drama in Action
by Martin White
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The Art of Light on Stage
by Yaron Abulafia (University of Groningen)
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Period Hairstyles for Studio, Stage and Screen
by Kit Spencer
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Morning Glory
by Ian Jones
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Modern American Drama, 1945-2000
by C. W. E. Bigsby (University of East Anglia)
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Masterpieces of Russian Stage Design: 1880-1930
by John E. Bowlt
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London Theatre Walks
by Jim DeYoung
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An Actor Prepares
by Constantin Stanislavski
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Chekhov on Theatre
by Anton Chekhov
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Blink
by Phil Porter
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The Theater Essays of Arthur Miller
by Arthur Miller
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Jocelyn Herbert
by Cathy Courtney
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Between Two Silences
by Peter Brook
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Emlyn Williams
by James Harding
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Art by Committee
by Charna Halpern
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British Realist Theatre
by Stephen Lacey
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Acting
by Terry Schreiber
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Modern Voice
by Catherine Weate
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Rose Theatre
by Christine Eccles
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The Routledge Reader in Gender and Performance
by Lizbeth Goodman (University College Dublin, IRE)
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