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Gathering writings by renowned scholars of Indian cinema, this collection provides a novel framework for reading film. Taken together, these essays act as a guide to deciphering the varied terrain of Indian film production and its reception both nationally and globally. The volume offers a comprehensive consideration of the histories of different regional cinemas; the role of studios; the place of \"middle\" cinema and its relationship to state subsidies; the style of popular films; the allure of stardom; the resistant style of art films; the resurgence of auteurism; and the poetics of documentary. The study discusses a range of films released over a period of more than sixty years, including \u003ci\u003eSant Tukaram\u003c\/i\u003e (1936), \u003ci\u003eParasakthi\u003c\/i\u003e (1952), \u003ci\u003ePather Panchali\u003c\/i\u003e (1955), \u003ci\u003ePyaasa\u003c\/i\u003e (1957), \u003ci\u003eBhuvan Shome\u003c\/i\u003e (1969), \u003ci\u003eGhattashradda\u003c\/i\u003e (1977) and \u003ci\u003eRam Ke Nam\u003c\/i\u003e (1991).\u003cbr\u003e \u003ci\u003eThe Cinema of India\u003c\/i\u003e examines in detail twenty-four landmark films from one of the world's largest national cinemas. Gathering writings by renowned scholars of Indian cinema, this collection provides a novel framework for reading film. Taken together, these essays act as a guide to deciphering the varied terrain of Indian film production and its reception both nationally and globally. 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