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Born in 1944 on Ukerewe Island in Tanzania (then the Territory of Tanganyika), Kezilahabi came of age in the newly independent nation. His poetry confronts the task of postcolonial nation building and its conundrums, and explores personal loss in parallel with nationwide disappointments.  Kezilahabi sparked controversy when he published his first poetry collection in 1974, introducing free verse into Swahili. His next two volumes of poetry (published in 1988 and 2008) confirmed his status as a pioneering and modernizing literary force.  Stray Truths draws on each of those landmark collections, allowing readers to encounter the myriad forms and themes significant to this poet over a span of more than three decades. Even as these poems jettison the constraints of traditional Swahili forms, their use of metaphor connects them to traditional Swahili poetics, and their representational strategies link them to indigenous African arts more broadly.  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Shedding new light on both well-known and less familiar films by Mahamat-Saleh Haroun, Abderrahmane Sissako, Jean-Pierre Bekolo, Moussa Touré, Safi Faye, Cheick Doukouré, and Joseph Gaï Ramaka, among others, the study asks just whose fantasy is articulated in football and African cinema.  Answering this question requires the exploration of body and identity issues, here through the metaphor of skin: fantasy as a skin; the football jersey as a skin; and ultimately film itself as a skin that has visual, aural, and haptic qualities. The neocolonial body is often depicted as suffering and in the process of being flattened or emptied. So frequently do African cinema and literature replicate this hollowed body, all skin as it were, that it becomes the very type of body that defines neocolonialism. Could the body of film - the depth of both characters and story within the cinematic skin - hold the key to moving into a post-neocolonial era, an era defined by “full” bodies and personal affirmation? This is the question Dima seeks to answer.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50292417069329,"sku":"CIN1611863708G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1611863708.jpg?v=1750862600"},{"product_id":"who-owns-the-problem-book-pius-adesanmi-9781611863550","title":"Who Owns the Problem?","description":"How may we conceptualize Africa in the driver’s seat of her own destiny in the twenty-first century? How practically may her cultures become the foundation and driving force of her innovation, development, and growth in the age of the global knowledge economy? How may the Africanist disciplines in the humanities, the social sciences, and the natural sciences be revamped to rise up to these challenges through new imaginaries of intersectional reflection?  This book assembles lectures given by Pius Adesanmi that address these questions. Adesanmi sought to create an African world of signification in which verbal artistry interpellates performer and audience in a heuristic process of knowledge production. The narrative and delivery of his arguments, the antiphonal call and response, and the aspects of Yoruba oratory and verbal resources all combine with diction and borrowings from Nigerian popular culture to create a distinct African performative mode. T  his mode becomes a form of resistance, specifically against the pressure to conform to Western ideals of the packaging, standardization, and delivery of knowledge. Together, these short essays preserve the committed and passionate voice of an African writer lost far too soon. Adesanmi urges his readers to commit themselves to Africa’s cultural agency.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50385862721809,"sku":"CIN1611863554G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50395091140881,"sku":"CIN1611863554VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1611863554.jpg?v=1763119302"},{"product_id":"african-diasporic-cinema-book-daniela-ricci-9781611863642","title":"African Diasporic Cinema","description":"African Diasporic Cinema analyses the aesthetic strategies adopted by contemporary African diasporic filmmakers to express the reconstruction of identity. Having left the continent, these filmmakers see Africa as a site of representation and cultural circulation. The diasporic experience displaces the centre and forges new syncretic identities. Through migratory movement, people become foreigners, Others - and  in this instance, black.  The African diasporic condition in the Western world is characterised by the intersection of various factors: being African and bearing the historical memory of the continent; belonging to a black minority in majority-white societies; and finally, having historically been the object of negative, stereotyped representation. As a result, quests for the self and self-reconstruction are frequent themes in the films of the African diaspora, and yet the filmmakers refuse to remain trapped in the confines of an assigned, rigid identity.  Reflecting these complex circumstances, this book analyses the contemporary diaspora through the prism of cultural hybridization and the processes of recomposing fragmented identities, out of which new identities emerge.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50385867112721,"sku":"CIN1611863643VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1611863643.jpg?v=1763123218"},{"product_id":"as-she-was-discovering-tigony-book-olympe-bhlyquenum-9781611862096","title":"As She Was Discovering Tigony","description":"Dorcas Keurleonan-Moricet is a brilliant white geophysicist posted on assignment in Africa. 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