{"title":"Amsterdamer Publikationen Zur Sprache Und Literatur","description":null,"products":[{"product_id":"text-analysis-in-translation-book-christiane-nord-9789042018082","title":"Text Analysis in Translation","description":"Text Analysis in Translation has become a classic in Translation Studies. Based on a functional approach to translation and endebted to pragmatic text linguistics, it suggests a model for translation-oriented source-text analysis applicable to all text types and genres independent of the language and culture pairs involved. Part 1 of the study presents the theoretical framework on which the model is based, and surveys the various concepts of translation theory and text linguistics. Part 2 describes the role and scope of source-text analysis in the translation process and explains why the model is relevant to translation. 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Among German writers, Büchner, Goethe, Gottfried von Strassburg, Gryphius, Mörike, the poet of the Nibelungenlied, Novalis, Rilke, and Trakl all provided motifs that, often repeated, make for a dense network inviting attention to the self-referential and self-revealing patterns in Celan’s early work. In addition, there are many poems that contain motifs gleaned from Greek mythology and\/or biblical data. These references, on occasion quite clear, more often so obscure as to be hazy allusions, yield the view that during his first decade of poetic activities Celan becomes increasingly recondite. When these references or allusions stand side-by-side in a given poem, they acquire a surrealistic tint and threaten to withhold clear meaning. Ambiguities, deliberately cultivated in the earliest poems, begin to boomerang and read like so many preludes to the struggles with language evident in the poetry of Celan’s maturity.  It is a certainty that Celan reacted quickly, if not immediately, to the events befalling the scenes of his early years (Czernowitz and the forced-labor camp). This phenomenon mandates the view of his poems as so many pieces of autobiography. It thus is inevitable that as early as 1940 he wrote against the backdrop of war, and soon thereafter in the shadow of the Holocaust that was destined to brand his mind forever.  This volume is meant for anyone interested in Celan, close reading of modern poetry in general, comparative literature, motif studies, poetic reactions to Holocaust events, or even in a Jew’s concept regarding the role of the deity in the destruction of those for whom the poet speaks.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52138239656209,"sku":"NLS9789042023826","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9789042023826.jpg?v=1768562289"},{"product_id":"heroes-and-heroism-in-german-culture-book-stephen-brockmann-9789042014565","title":"Heroes and Heroism in German Culture","description":"As Brecht's Galileo observed, a country which needs heroes is unfortunate indeed - words which suggest that a society's need for heroes is always a function of its shortcomings. By examining the role that heroes and heroism have played in German literature and culture over the past two centuries, the essays in this volume illuminate and contour both a flawed German society in need of heroes and the flawed but essential heroes brought forth by that society. Beginning in he era of the anti-Napoleontic Wars of Liberation, advancing to the challenging situation Germany faced at the end of World War II, and concluding with the current reemergence of a unified Germany after almost half a century of division, this volume broadens our understanding of the inadequacies and breakdowns of German society. 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In this study, Owen Evans examines the work of eight authors – Ludwig Harig, Uwe Saeger, Ruth Klüger, Günter de Bruyn, Günter Kunert, Christoph Hein, Grete Weil and Monika Maron – who all published personal texts after 1989 dealing either with life in Nazi Germany or the GDR, and in some cases both. By means of close textual analysis, Evans explores the impact these regimes had on the individuals concerned and the contrasting ways in which the authors handle the autobiographical project. They adopt varying textual strategies to render the self on the page, with some employing overt fiction, and yet in each case, the project was clearly motivated by the need to treat psychological wounds inflicted on the self by totalitarianism. In their mapping of the contours of oppression, the texts at the heart of this study combine to offer a powerful defence of literary autobiography, in Germany at least, as a valuable means of tackling the legacy of totalitarianism.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52679758905617,"sku":"NLS9789042017191","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9789042017191.jpg?v=1768563260"},{"product_id":"rifts-in-time-and-in-the-self-book-cheryl-dueck-9789042009370","title":"Rifts in Time and in the Self","description":"The fall of the Berlin Wall in November 1989 marked the end of East Germany’s socialist regime and a new beginning for a unified German Federal Republic. Cultural historians agree that the event caused one of the deepest rifts in time and thinking seen by an entire generation of Germans—a rift that left its mark on the psyche of every citizen, challenging notions of the personal and the political, and crashing traditional understandings of the individual and the collective self.  In this bold rethinking of the question, Cheryl Dueck goes beyond the social, political, and psychological discourses that Marx and Freud, Foucault and Lacan viewed as the initiators of modern (socialist) identities to explore the literature and discourse of the quest for unity of the female subject. Reading such authors as Christa Wolf, Brigitte Reimann, Helga Königsdorf, and Helga Schubert, Dueck traces the striking fissures which run through time and through the female self, haunting women within the socialist project.  The book shows how two generations of women writers have struggled consciously and systematically in their letters, aesthetic writings, and literary production to create a new language to express their own sense of self within a restrictive socialist and patriarchal system. Rifts in Time and in the Self offers an unprecedented look at the reconceptualizations of the female subject during several phases of GDR history, and women writers’ persistent attempt to carve out spaces of identity and community.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52679806877969,"sku":"NLS9789042009370","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9789042009370.jpg?v=1768558530"},{"product_id":"poet-s-role-book-ruth-j-owen-9789042012073","title":"The Poet's Role","description":"This study of contemporary German poetry represents the first attempt to examine comprehensively and at some length the lyric response to the unification period. It sets out to investigate, by means of close textual analysis, whether the German ‘Wende’ was also a turning-point for poetry, exploring how GDR poets responded both to the revolutionary events of 1989 and subsequently to the new, united Germany. An introductory chapter considers what is distinct about poetry as a genre, especially under censorship or amid historic change, as well as outlining the post-unification ‘Literaturstreit’. The following chapter offers a survey of the poet’s role in the GDR from 1949 until 1989. Two central chapters then gather the poetry of the ‘Wende’ and unification as a corpus of work and characterize it, through the elucidation of recurring themes, motifs and techniques. The volume strikes a balance between giving a general overview of poetry written in 1989-1996 and focusing on individual poets whose work is particularly compelling. After identifying broad trends across a wide range of individual poems, collections and anthologies, single chapters therefore examine in greater depth the work of Volker Braun and Durs Grünbein. The concluding chapter addresses the issue of a separate GDR literature. Finally, an extensive, structured bibliography is provided, covering the poetry, literary criticism and cultural history of the period.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52679855571217,"sku":"NLS9789042012073","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9789042012073.jpg?v=1768562972"},{"product_id":"on-the-rationality-of-poetry-book-frank-finlay-9789051839890","title":"On the Rationality of Poetry","description":"This study explores Heinrich Böll's 'aesthetic thinking', as it is expressed in the author's disparate and voluminous writings on literature. Böll's work in this field is situated in the multi-faceted context of social, political, and cultural developments in post-war Germany, and is shown to be an important adjunct to the novels and stories which were honoured with the Nobel Prize for Literature. An understanding of Heinrich Böll's 'aesthetic thinking' can illuminate the writer's fiction in an intriguing way. In particular, Böll's defence of the 'rationality of poetry' raises issues which reverberate in continuing debates on the social validity of literature.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52692669759761,"sku":"NLS9789051839890","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9789051839890.jpg?v=1768298475"}],"url":"https:\/\/www.worldofbooks.com\/en-au\/collections\/amsterdamer-publikationen-zur-sprache-und-literatur-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}