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Strand hits just the right mark in this almost grand guignol tale of power, politics, murder, courage and betrayal in Renaissance Italy. -Gary Tischler, The Georgetowner If only George W Bush could have seen the gripping 19th-century French drama LORENZACIO before being sworn in as commander-in-chief. Musset's play centers on the assassination of a tyrant. There's an occupying army detested by its citizenry. And there's the utter lack of a day-after plan once the repressive regime has been toppled, plunging the country into chaos. Sound familiar? -Mary Carole McCauley, The Baltimore Sun French playwright Alfred de Musset's LORENZACIO has long been a fixture in French theater but the 1833 play is seldom performed in the U S. One chief reason is the absence of an English translation that addresses its unwieldy structure. Consider the problem fixed in this nicely accessible version from playwright John Strand. 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Inspired by his scandalous real-life affair with the flamboyant woman who called herself George Sand, Alfred de Musset's Confession is a searingly honest, passionate account of a young man's rite of passage. It tells the story of Octave, desperate to be more than an 'average man', who searches for happiness first as a debauched libertine, until his mistress Elise is unfaithful, and then in an austere life in the countryside, where he falls in love with the selfless Brigitte. But as he becomes consumed by insane jealousy and convinced that Brigitte will betray him, Octave brings about his own destruction. A vivid, opulent portrayal of obsession and despair, this is also a philosophical portrait of a man and his times, expressing the failed idealism of the Romantic generation of the early nineteenth century.  David Coward's vibrant translation is accompanied by an introduction discussing de Musset's affair with Sand and his work's place in the confessional genre. 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