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Generations of teachers and their public school pupils learned from Dow's orientalism and adopted basic postimpressionist principles without even knowing the term. 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PRINTED IN FUL COLOR as an exact facsimile of the original revised edition of 1929, not reproduced with Optical Recognition Software. Dow was a very influencial art teacher around the turn of the 19\u003csup\u003eth\u003c\/sup\u003e century, teaching at the Pratt Institute, the New York Art Students League, and Columbia University Teachers College. His ideas were quite revolutionary for the period; he taught that rather than copying nature, art should be created by elements of the composition, like line, mass and color. He wanted public leaders to see art as a living force in everyday life for all, not a sort of traditional ornament for the few. Dow suggested that art permit self-expression and include personal experience in its creation. His ideas on Art were published in the 1899 book \u003cem\u003eComposition: A Series of Exercises in Art Structure for the Use of Students and Teachers.\u003c\/em\u003e In this book he explains that\u003c\/p\u003e\u003cp\u003e Composition . expresses the idea upon which the method here presented is founded - the putting together of lines, masses and colors to make a harmony. . Composition, building up of harmony, is the fundamental process in all the fine arts. . A natural method is of exercises in progressive order, first building up very simple harmonies . Such a method of study includes all kinds of drawing, design and painting. 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Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.\u003c\/p\u003e\u003cp\u003eScholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. 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