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Can people save themselves by their own efforts? Do Christian ministers have to be perfect? These and other questions were answered by the early Christian Church so as to rule in certain orthodox beliefs and rule out certain heretical beliefs. Anyone could be a Christian, but a Christian could not believe simply anything. Here, twelve top theologians, all practising Christians, tackle ancient heresies and show why the contemporary Church still needs to know about them. The contributors argue that heresies are never finally defeated but always continue in some form or other as live options for belief. Christians therefore need to remember what these great early heresies were and why they were ruled out, or else risk falling prey to their modern-day manifestations. The essays included here are scholarly but accessible, academic but highly relevant. 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This, the artist’s first monograph, features over forty paintings spanning her career to date, offering a journey through the built environment that takes the viewer into realms as diverse as psychogeography and heteropias, romanticism and modernism. From the needs and desires of individuals to those of the different communities that make up urban life in cities and towns today, her paintings open up questions about displacement and replacement, decay and rebirth, change and transformation, public and private, social and economic mobility, aspiration and desire, buildings and people. Seeking to go beyond the visible and tangible and to explore ideas of faith and the sacred within space, Freeman Bentley’s work looks through the fabric of our physical environment to ask about what lies behind, into the dialogue between matter and spirit.  The publication features newly commissioned texts by London-based curator and writer Michele Robecchi, New York-based art writer and editor Marina Cashdan, and Ben Quash, Professor of Christianity and the Arts at King’s College London. Edited by Matt Price and designed by Joe Gilmore \/ Qubik, this hardback monograph presents the arresting and engaging work of one of the UK’s most promising emerging painters.  Freeman Bentley studied painting at Chelsea College of Art and Design before graduating with an MA from the Royal College of Art in 2010. 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