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This ground-breaking collection brings together, for the first time, Binyavanga’s pioneering writing on the African continent including many of his most critically acclaimed pieces, such as the viral satirical sensation How to Write About Africa.  Writing fearlessly across a range of topics - from politics to international aid, cultural heritage and redefining sexuality - this is a remarkable illustration of a writer at the height of his power.  'A fierce literary talent' Nesrine Malik, Guardian   ‘A provocative satirist . . . his omnivorous brilliance [was] matched by ambition and vision on a continental scale’ New York Times","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49746819776785,"sku":"NGR9780241252536","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50916235706641,"sku":"GOR014121887","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0241252539.jpg?v=1750695003"},{"product_id":"kwani-book-binyavanga-wainaina-9789966983664","title":"Kwani?","description":"Following and keeping close to the great tradition set by its three predecessors, Kwani? 4 presents a wail of new voices in literary concert with the not so new. The now established talents- Binyavanga Wainaina, Muthoni Garland, Doreen Baingana- share these pages with the fast risers: Billy Kahora, Mukoma wa Ngugi and Shalini Gidoomal. And Kwani? 4 has delved deeper into the all those spaces where the Kenyan story lives: the street corners, the neighbourhood pubs, the in-between semi rural places where the clash of cultures- the traditional versus the modern- continues to redefine the social roles of the individual, dismantle patriarchal constructs and still retain the pithy wit and the devices of ancient orature that time and the ritual of the communal fireside have honed. Still, as though in ridicule of such notions of Africa as being the continent on the lee side of the Digital Divide, Kwani? 4 reaches into the burgeoning realms of the Kenyan blogosphere to bring such politically aware, borderline intellectual and only-two-degrees-shy-of-rebellious voices bringing a fresh look at the old themes of politics, slices of life and religion and placing them alongside such taboo subjects as sex beyond the hetero-normative ideal. 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Finally he circles back to a Kenya in the throes of postelection violence and finds he is not the only one questioning the old certainties.\u003cbr\u003e \u003cbr\u003e Resolutely avoiding stereotype and cliché, Wainaina paints every scene in \u003ci\u003eOne Day I Will Write About This Place\u003c\/i\u003e with a highly distinctive and hugely memorable brush.scene that unsettles his views on family, tribe, and nationhood.\u003cbr\u003e \u003cbr\u003e Throughout, reading is his refuge and his solace. And when, in 2002, a writing prize comes through, the door is opened for him to pursue the career that perhaps had been beckoning all along. A series of fascinating international reporting assignments follow. Finally he circles back to a Kenya in the throes of postelection violence and finds he is not the only one questioning the old certainties.\u003cbr\u003e \u003cbr\u003e Resolutely avoiding stereotype and cliché, Wainaina paints every scene in \u003ci\u003eOne Day I Will Write About This Place\u003c\/i\u003e with a highly distinctive and hugely memorable brush.scene that unsettles his views on family, tribe, and nationhood.\u003cbr\u003e \u003cbr\u003e Throughout, reading is his refuge and his solace. And when, in 2002, a writing prize comes through, the door is opened for him to pursue the career that perhaps had been beckoning all along. A series of fascinating international reporting assignments follow. 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