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Highly recommended.\"--\u003ci\u003eLibrary Journal\u003c\/i\u003e, starred review\u003c\/p\u003e \u003cp\u003eWhen asked in an interview \"What would Bob Hicok launch from a giant sling shot?\" he answered \"Bob Hicok.\" \u003ci\u003eElegy Owed\u003c\/i\u003e--Hicok's eighth book--is an existential game of Twister in which the rules of mourning are broken and salvaged, and \"you can never step into the same not going home again twice.\"\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFrom \"Notes for a time capsule\":\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe twig in. I'll put the twig in I carry in my pocket\u003cbr\u003e and my pocket and my eye, my left eye. A cup\u003cbr\u003e of the Ganges and the bacteria from shit\u003cbr\u003e in the Ganges and the anyway ablutions of rainbow-\u003cbr\u003e robed Hindus in the Ganges. The dawnline of the mountain\u003cbr\u003e with contrail above like an accent in a language\u003cbr\u003e too large for my mouth. A mirror\u003cbr\u003e so whoever opens the past will see themselves\u003cbr\u003e in the past and fall back from their face\u003cbr\u003e speaking to them across centuries or hours\u003cbr\u003e or the nearnevers . . .\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eBob Hicok\u003c\/b\u003e's worked as an automotive die designer and a computer system administrator before becoming an associate professor of English at Virginia Tech. 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While confronting the rampant hypocrisies of the American collective unconscious, Hicok is guided by his deep and tender sense of whimsy and humility. Pointing to the natural world as a mirror through which to rediscover human beauty, he pauses to unapologetically celebrate the wonder of living at all.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFrom About the size of it \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003e. . . my breath\u003cbr\u003eshuttling in and out, as if it can't decide \u003cbr\u003ebetween stay and go, the little bird\u003cbr\u003elong gone by the time I realize\u003cbr\u003ethe sun has set and it will soon feel\u003cbr\u003elike my father was never here, which is no big deal\u003cbr\u003ecompared to the erasures the world endures\u003cbr\u003eand offers every day, except this one is mine\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBob Hicok \u003c\/strong\u003eteaches at Virginia Tech University and is the author of ten collections, including \u003cem\u003eAnimal Soul, This Clumsy Living, Elegy Owed\u003c\/em\u003e, and \u003cem\u003eSex \u0026amp; Love \u0026amp;\u003c\/em\u003e. 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Highly recommended.--\u003ci\u003eLibrary Journal\u003c\/i\u003e, starred review\u003c\/p\u003e\u003cp\u003eWhen asked in an interview What would Bob Hicok launch from a giant sling shot? he answered Bob Hicok. \u003ci\u003eElegy Owed\u003c\/i\u003e--Hicok's eighth book--is an existential game of Twister in which the rules of mourning are broken and salvaged, and you can never step into the same not going home again twice.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFrom Notes for a time capsule \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe twig in. I'll put the twig in I carry in my pocket\u003cbr\u003eand my pocket and my eye, my left eye. A cup\u003cbr\u003eof the Ganges and the bacteria from shit\u003cbr\u003ein the Ganges and the anyway ablutions of rainbow-\u003cbr\u003erobed Hindus in the Ganges. The dawnline of the mountain\u003cbr\u003ewith contrail above like an accent in a language\u003cbr\u003etoo large for my mouth. 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Told in experimental forms, from a range of perspectives-- a wife who commits suicide, a husband left behind -- this raw collection reads like a novella and wrestles with loss as it complicates the grief process. Working backwards from acceptance to explore depression and anger, heartbreak and remorse, often with great tenderness, \u003ci\u003eWater Look Away\u003c\/i\u003e offers pages of insight that will make you reach for a pen. Here, poetry embalms a marriage-an experimental affair, a series of miscarriages, a red bed painted on a wall. When the retelling of their first meeting morphs from \"recounting\" to \"dreampage,\" Hicok asks, how long can we trust memory when those we love are no longer there to remember with us?\u003c\/p\u003e \u003cp\u003eThese are not passive poems--period placement, unconventional spellings, and neologisms invite an active reader who is prepared to question meaning and intention. A present collection written in the past tense, these lines make you want to hold your loved ones closer, and prove that while this collection is no fairytale, it is still a love story--of husband and wife, of poetry and language. Within every poem is an undeniable love for words and a vulnerable appeal to individuals who share this affinity for language: \"I'm always reading. 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