{"title":"Christopher J Lee","description":"\u003cp\u003eDelve into the captivating worlds crafted by Christopher J. Lee, blending historical depth with gripping narratives. Perfect for readers seeking adventure with a touch of intrigue. Explore the collection now.\u003c\/p\u003e","products":[{"product_id":"frantz-fanon-book-christopher-j-lee-9780821421741","title":"Frantz Fanon","description":"A timely and original short biography reintroducing Fanon for a new generation of readers. Written with clarity and passion, Christopher J. 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Ostensibly representing two-thirds of the world's population, the Bandung conference occurred during a key moment of transition in the mid-twentieth century—amid the global wave of decolonization that took place after the Second World War and the nascent establishment of a new Cold War world order in its wake. Participants such as Jawaharlal Nehru of India, Gamal Abdel Nasser of Egypt, Zhou Enlai of China, and Sukarno of Indonesia seized this occasion to attempt the creation of a political alternative to the dual threats of Western neocolonialism and the Cold War interventionism of the United States and the Soviet Union.  The essays collected here explore the diverse repercussions of this event, tracing diplomatic, intellectual, and sociocultural histories that ensued as well as addressing the broader intersection of postcolonial and Cold War history. With a new foreword by Vijay Prashad and a new preface by the editor, Making a World after Empire speaks to contemporary discussions of decolonization, Third Worldism, and the emergence of the Global South, thus reestablishing the conference's importance in twentieth-century global history.  Contributors: Michael Adas, Laura Bier, James R. Brennan, G. Thomas Burgess, Antoinette Burton, Dipesh Chakrabarty, Julian Go, Christopher J. Lee, Jamie Monson, Jeremy Prestholdt, and Denis M. 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Jet lag is a momentary condition resulting from the human body and its inner clock being pitched against the time-leaping effects of modern aviation. But more than that, it is a situation that explains time, technology, and the human body. Jet lag epitomizes the accelerated world we live in. It makes the speed and discomfort of globalization tangible on a personal level.   Tracing physiological, temporal, technological, and cultural meanings, Christopher J. Lee’s Jet Lag ponders our intrinsic human limits in the face of modern innovation, revealing the latent costs of global cosmopolitanism today.  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Best known for Black Skin, White Masks (1952) and The Wretched of the Earth (1961), Fanon drew upon psychology, European philosophy, and his own experience to articulate radical critiques of racism, colonialism, and nationalism that still vitally inform understandings of these issues. Yet Fanon remains controversial, given his advocacy of violent struggle, and, consequently, is often misunderstood. This biography - the most succinct and straightforward to date - demythologises Fanon by situating his life and ideas within the historical circumstances he encountered. Synthesising a range of secondary literature with readings of his work, it elevates enduring aspects of Fanon's legacy, while also countering interpretations of his writing that have granted uncritical omniscience to his views. Written with clarity and passion, Christopher J. 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The first section of the book focuses on comparative history as a founding method for Safundi, given the journal’s origins in American and South African studies, while also recalibrating this approach through a variety of topics—cities, biographies and practices of violence—rather than nation-states writ large. Drawing upon innovative sources of evidence, the second section moves beyond the comparative method to address transnational histories as a new narrative technique for storytelling and analysis. Whether issues of education, immigration or visiting musicians to South Africa, these chapters demonstrate the importance of a post-national approach for understanding the past. The sections that follow fan out into other subject areas, including the uses of visual history, gender roles, class cultures and environmental history, all of which illuminate connections between South African history and other parts of the world.  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