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This timely collection of critical essays and creative pieces addresses several thought-provoking questions on the subject. For instance, as this so-called crisis is but the latest of many, what part has “crisis” played in the humanities’ history? How are artists, art historians, and professionals in related disciplines responding to current pressures to prove their worth? How does one defend the practical value of knowing how to think deeply about objects and images without losing the intellectual intensity that characterizes the best work in the discipline? Does art history as we know it have a future?   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This catalogue brings together 41 of Johns's drawings, spanning more than 60 years of his illustrious career and, beginning in 1954, the origin of his mature practice. It encompasses his most famous recurring motifs, including flags, targets, and numbers, and an essay by David Breslin contextualizes this reiterative aspect of Johns's career. Exquisite reproductions and large-scale details reveal the touch and process of this master draftsman, imparting to the reader a feeling of being in close contact with the artist himself. 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Spanning the full arc of their careers—including before they met, their married years, and Krasner’s life after Pollock’s death—this book illustrates more than one hundred paintings and works on paper. The publication highlights the range and art historical importance of Krasner’s work, evaluates Pollock’s significance anew, and considers the pair as artistic interlocutors against the backdrop of the postwar United States. Essays explore key periods in their creative trajectories, from their parallel emergence in the 1940s New York art scene to their later move to Springs, Long Island. The authors situate the artists within their historical context and trace important breakthroughs in their careers, such as Pollock’s deployment of the “drip” technique and Krasner’s turn to collage. Personal reflections from twenty-first-century artists attest to Krasner’s and Pollock’s ongoing legacies.  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