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H. Lawrence's death in 1930. Immediately recognized as a masterpiece in which Lawrence had distilled and purified his ideas about sexuality and morality, The Virgin and the Gipsy has become a classic and is one of Lawrence's most electrifying short novels.\u003cbr\u003e \u003cbr\u003e Set in a small village in the English countryside, this is the story of a secluded, sensitive rector's daughter who yearns for meaning beyond the life to which she seems doomed. When she meets a handsome young gipsy whose life appears different from hers in every way, she is immediately smitten and yet still paralyzed by her own fear and social convention. Not until a natural catastrophe suddenly, miraculously sweeps away the world as she knew it does a new world of passion open for her. 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He magnified and deepened experience in the manner of a poet,\" wrote Anais Nin in 1934.\u003cbr\u003e Privately printed in 1920 and published commercially in 1921, Women in Love is the novel Lawrence himself considered his masterpiece. Set in the English Midlands, the novel traces the lives of two sisters, Ursula and Gudrun, and the men with whom they fall in love. All four yearn for fufillment in their romantic lives, yet struggle in a world that is increasingly violent and destructive. Commenting on the novel, which was composed in the midst of the First World War in 1916, Lawrence wrote, \"The bitterness of the war may be taken for granted in the characters.\" Rich in symbolism and lyrical prose, Women in Love is a complex meditation on the meaning of love in the modern world.\u003cbr\u003e To the critic Alfred Kazin, \"No other writer of Lawrence's imaginative standing has in our time written books that are so open to life.\"\u003cbr\u003e \u003cbr\u003e D. H. 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H. Lawrence's great autobiographical novel paints a provocative portrait of an artist torn between affection for his mother and desire for two beautiful women. Set in the Nottinghamshire coalfields of Lawrence's own boyhood, the story follows young Paul Morel's growth into manhood in a British working-class family.\u003cbr\u003e \u003cbr\u003e Gertrude Morel, Paul's puritanical mother, concentrates all her love and attention on Paul, nurturing his talents as a painter. When she muses that he might marry someday and desert her, the attentive son swears he will never leave her. 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Here is the story of artist Paul Morel as a young man, his powerful relationship with his possessive mother, his passionate love affair with Miriam Leivers, his intense liaison with married Clara Dawes. 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Lawrence follows three generations of the Brangwen family, mapping the change in their romantic relationships amid the industrialization of Great Britain. Their story begins when Tom Brangwen meets a Polish widow named Lydia. The two soon fall in love and get married, though they find that their cultural differences cause more issues than they imagined. Due to a cultural and language barrier, Lydia and Tom find it difficult to connect to one another, but they stay persistent and remain together regardless. Since Lydia had a child with her late husband, Tom adopted her daughter, Anna, as one of his own. When Anna gets married, she and her husband Will shift the focus to their romance, which begins as an innocent and happy affair. During the early phases of their relationship and marriage, Anna and Will were wrapped up into each other, unaware of anything else except for their love. But this romantic daze cannot last for forever. Anna soon returns to reality, much quicker than Will, which causes a rift in their relationship, especially when they have children. Their youngest daughter, Ursula, is able to live more freely than any of the other Brangwens. Though she feels the societal pressure that is forced upon her as a woman, Ursula is more concerned with being independent and happy. She is passionate and sensual, seeking out many romantic relationships, including one with her female schoolteacher. But as she grows older, she meets a sweet British solider named Anton. The two remain in an extended and happy relationship, but as the possibility of marriage grows near, Ursula must decide if she feels ready to make such as commitment, or if she ever even wants to be a married woman. Presented in sensual and emotional prose, D.H. Lawrence's \u003cem\u003eThe Rainbow\u003c\/em\u003e effortlessly tackles taboo topics and complex protagonists. 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The Etruscan civilization is the relatively modern moniker given to the civilization originating from ancient Italy in the areas of modern Tuscany, western Umbria, and northern Lazio. Not much is known of the Etruscans, and in this fascinating exploration of their culture, Lawrence pieces together what he can in order to furnish a unique insight into this lost race. The chapters of this volume include: D. H. Lawrence, Cervereri, Targuinia, The Painted Tombs of Tarquinia, Vulci, and Volterra. 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Dark still the garden. Scent of mimosa, and then of jasmine. The lovely mimosa tree invisible. Dark the stony path. The goat whinnies out of her shed. The broken Roman tomb which lolls right over the garden track does not fall on me as I slip under its massive tilt. Ah, dark garden, dark garden, with your olives and your wine, your medlars and mulberries and many almond trees, your steep terraces ledged high up above the sea, I am leaving you, slinking out. Out between the rosemary hedges, out of the tall gate, on to the cruel steep stony road. So under the dark, big eucalyptus trees, over the stream, and up towards the village. There, I have got so far. D. H. Lawrence was an English novelist, poet, playwright, essayist, literary critic and painter whose works represent a reflection upon the dehumanizing effects of modernity and industrialization. In his writings Lawrence confronts issues relating to emotional health and vitality, spontaneity, and instinct often apposing current social acceptance. E. M. 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His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, sexuality, and human instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his savage pilgrimage. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as the greatest imaginative novelist of our generation. Lawrence is perhaps best known for his novels Sons and Lovers, The Rainbow, and Lady Chatterley's Lover. Within these he explores the possibilities for life and living within an Industrial setting. 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