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Their willingness to embrace Impressionism helped to popularize this style of painting throughout the United States.\u003cbr\u003eAll the high points of Boston's 19th-century collections are revealed here, with works by the leading French Impressionist painters and their American counterparts.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49578951049489,"sku":"GOR001875530","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49627577778449,"sku":"GOR006723748","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51324078096657,"sku":"CIN1903973775G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":53192505295121,"sku":"GOR007022598","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1903973775.jpg?v=1751123875"},{"product_id":"impressionism-abroad-book-erica-e-hirshler-9781903973608","title":"Impressionism Abroad","description":"The Museum of Fine Arts in Boston possesses one of the world's finest collections of nineteenth-century French and American art. 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Among his renowned portraits, The Daughters of Edward Darley Boit stands alongside Madame X and Lady Agnew of Lochnaw as one of Sargent's immortal images. This painting depicts four young sisters in the spacious foyer of the family's Paris apartment, strangely dispersed across the murky tones and depths of the square canvas, as though unrelated to one another, unsettled and unsettling to the eye. The Daughters both affirms and defies convention, flouting the boundaries between portrait and genre scene, formal composition and quick sketch or snapshot. Unveiled at the Paris Salon of 1883, it predated by just two years the scandal of Madame X and was itself characterized by one critic as four corners and a void; but Henry James came closer to the mark when he described the painter as a knock-down insolence of talent, for few of Sargent's works embody the epithet as well as The Daughters of Edward Darley Boit. Drawing on numerous unpublished archival documents, scholar Erica E. Hirshler excavates all facets of this iconic canvas, discussing not only its significance as a work of art but also the figures and events involved in its making, its importance for Sargent's career, its place in the tradition of artistic patronage and the myriad factors that have contributed to its lasting popularity and relevance. 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This new study focuses on Bloom’s paintings and drawings of human corpses, anatomical studies and archaeological excavations from the 1940s and 1950s. He often returned to these subjects throughout his career, using thickly applied paint in rich colours as he aspired to present both the physical and the spiritual on canvas.   Insightful curatorial essays accompanied by beautiful full-colour reproductions explore this difficult but compelling work, considering themes such as the life, death and rebirth of Bloom’s artistic reputation; the growing divide between figuration and abstraction at this defining moment of American art; earlier artistic traditions of representing mortality; the relationship between these works and Bloom’s Judaism, interest in eastern religions, and belief in reincarnation; and the artist’s desire to find beauty and meaning within death and decay. 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