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Included in Volume One are: \"Capriccio in F-sharp Minor\" (1825), \"Sonata in E Major\" (1826), Seven Characteristic Pieces,\" \"Rondo Capriccioso in E Major\" (1824), \"Fantasy in F-sharp Minor\" (1835), \"Andante cantabile e Presto agitato in B Major\" (1838), \"Etude in F Minor\" (1836), \"Scherzo in B Minor,\" \"Gondola Song in A Major\" (1837), \"Scherzo a Capriccio in F-sharp Minor,\" \"Three Caprices\" (1833-1835), \"Six Preludes and Fugues\" (1827-1837), \"Variations Sérieuses in D Minor\" (1841), \"Six Pieces for Children\" (c. 1842), \"Variations in E-flat Major\" (1841), and Variations in B-flat Major.\"\u003cbr\u003e Volume Two contains: \"Three Predules\" (1836), \"Three Etudes\" (1834-1838), \"Sonata in G Minor\" (1821), \"Sonata in B-flat Major\" (1827), \"Album Leaf (Song Without Words) in E Minor,\" \"Capriccio in E Major\/Minor\" (1837), \"Perpetuum Mobile in C Major,\" \"Prelude and Fugue in E Minor\" (1827, 1841), \"Two Pieces,\" and \"Song Without Words\" [48 pieces in 8 books].\u003cbr\u003e Noteheads have been reproduced in a size large enough to be read easily at the keyboard. 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The text is a mosaic of biblical verses taken principally from the First Book of Kings, but having the effect of a vivid, spontaneous story. As with Mendelsohn's earlier oratorio \u003cem\u003eSt. Paul\u003c\/em\u003e, the text was translated and assembled by Julius Schubring from Biblical originals. The English translation was made by William Bartholomew, who sent it to the composer piecemeal as he worked as the premiere was actually given in English on August 26, 1846 in Birmingham. The musical character of Elijah is clearly drawn, and Mendelssohn has succeeded in making the prophet A man strong and zealous, full of bitterness and scorn, the antagonist of the rabble, whether of courtiers or populace, well nigh the antagonist of the world, yet borne aloft on the wings of angels. Unabrdged digitally enhanced reissue in large-format of the vocal score edited by Hermann Ktrezschmar and published in Leipzig by C.F. Peters in the late 19th century. 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