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A critical investigation of the visual media and selected video artworks which contributes to the understanding of video as a medium in contemporary art The only study specifically devoted to theorizing the medium of video from the perspective of prominent characteristics which result from how video works deal with time, space, representation, and narrative The text has emerged out of the author’s own lectures and seminars on video art Offers a comparative approach which students find especially useful, offering new perspectives","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50378888806673,"sku":"CIN1118475461G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53392711254289,"sku":"GOR008995844","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1118475461.jpg?v=1751334288"},{"product_id":"mix-stir-new-outlooks-on-contemporary-art-from-global-perspectives-book-helen-westgeest-9789493246058","title":"Mix \u0026 Stir: New Outlooks on Contemporary Art from Global Perspectives","description":"\u003cp\u003e\u003cstrong\u003eIngredients for a true \"world art studies\"\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAiming to encourage the study of art beyond national constraints and cultural domination, \u003ci\u003eMix \u0026amp; Stir\u003c\/i\u003e proposes a voyage similar to that of culinary discovery, to arrive at a true \"world art studies.\" Contributions are structured in seven themes: Undecidability and Spectatorship, Collectives, Circulations, Exhibitions, Artists at Work, Postcolonial Perspectives, and Deep Art History.\u003cbr\u003e\u003cb\u003eContributors include\u003c\/b\u003e: Thomas J. Berghuis, Elisabeth de Bièvre, John Clark, Thomas DaCosta, Kaufmann, Parisa Damandan, Wilfried van Damme, Sophie Ernst, Angèle Etoundi Essamba, Paul Faber, Claire Farago, Anne Gerritsen, Jacqueline Hoàng Nguyen, Isabel Hoving, Stijn Huijts, Joo Yun Lee, Nancy Jouwe, Remy Jungerman, Sonja van Kerkhoff, Meta Knol, Frans-Willem Korsten, Katja Kwastek, Sybille Lammes, Charl Landvreugd, Gregor Langfeld, Chris Lee, Christa-Maria Lerm Hayes, Virginia MacKenny, Sarat Maharaj, Tirzo Martha, Kyveli Mavrokordopoulou, Larissa Mendoza Straffon, Ni Haifeng, Stéphanie Noach, Anja Novak, John Onians, Rob Perrée, Georges Petitjean, Rosalien van der Poel, Jennifer Pranolo, Lize van Robbroeck, Pippa Skotnes, Henk Slager, Rudi Struik and many more.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51067974877457,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51067975762193,"sku":"NIN9789493246058","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52473679315217,"sku":"GOR014534186","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9493246051.jpg?v=1751320000"},{"product_id":"skin-color-and-whiteness-in-contemporary-art-book-helen-westgeest-9781032795034","title":"Skin Color and Whiteness in Contemporary Art","description":"This study demonstrates the significance of using contemporary art in scholarly debates about cultural aspects of skin, in particular “whiteness” as a phenomenon that is both overly visible and invisible.  There is a need for a study of these artists’ strategies, which consist of drawing attention to whiteness by means of making whiteness “strange” through alternative visibilities. By increasing skin awareness, the selected socio-critical artworks also pertain to fostering visual literacy as another important contemporary concern. Chapters mainly focus on recent artworks that address ongoing skin-related debates in countries in Europe and North America, rooted in histories of ideology of white supremacy. Moreover, these artworks critically reflect on the alleged superiority of the history of Western European painting, including a focus on the representation of pale skin as model of beauty.  The book will be of interest to scholars working in art history, race and ethnicity studies, and cultural studies.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51632439787793,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51632439984401,"sku":"NGR9781032795034","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1032795034.jpg?v=1751080194"},{"product_id":"slow-painting-book-helen-westgeest-9781350283572","title":"Slow Painting","description":"The abundance of images in our everyday lives—and the speed at which they are consumed—seems to have left us unable to critique them. To rectify this situation, artists such as Daniel Richter, Jaune Quick-to-See Smith, and Artur Zmijewski have demonstrated that painting is brilliantly equipped to produce ‘slow images’ that enable, encourage and reward reflection. In this book, Helen Westgeest attempts to understand how various forms of slow painting can be used as tools to interrogate the visual mediations we encounter daily.   Painting was expected to disappear in the digital age but, through interactive painting performances and painting-like manipulated photographs and videos, Westgeest shows how photography, video and new media art have themselves developed the visual strategies that painting had already mastered. Moreover, the fleeting nature of digital mass media appears to have unlocked a desire for more physically stable and enduring pictures, like paintings. 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