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In this greyscale kaleidoscope of the familiar and the uncanny, muted voices shout, people commit to devastating choices, and mundane moments are filled with silent hauntings. A sleep paralysis and a s ance of voices long dead, this collection's characters illuminate both our own darkness and our strength, revealing how love can emerge from the most impossible of conditions.\u003c\/p\u003e \u003cp\u003eThese vignettes travel through a life--young, urban, domestic, mother-making, myth-making-- and at turns contain cursed images, hilarity, and tender moments of sincere vulnerability. Leftwich's characters curve out of what is expected: they surprise you, they confess, they hide, they snark, they love and long. Each character feels unique and new, but together this collection becomes a protean whole of the many faces of hurt, complete and glittering. 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But in this process, the American ideal of the blonde became uniquely British--Marilyn Monroe transformed into Diana Dors. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eBritish Blonde\u003c\/i\u003e examines postwar Britain through the changing ideals of femininity that reflected the nation's evolving concerns in the twenty-five years following the Second World War. At its heart are four iconic women whose stories serve as prompts for broader accounts of social and culture change: Diana Dors, the quintessential blonde bombshell; Ruth Ellis, the last woman to be hanged in Britain; Barbara Windsor, star of the \u003ci\u003eCarry On\u003c\/i\u003e films; and the Pop artist Pauline Boty. 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