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I have spoken with stones, clouds, bugs, ghosts, a grandson, Native American elders, a mother and father, students, ex-wife, and friends in Greece, Japan, Yemen, Santa Fe, and my birthplace, Tacoma, Washington. I care about what and how I write while letting the poems speak on their own, in their own time. A poem may come in a meeting with Natalie Goldberg, David Whyte, Joan Logghe, Morgan Farley, Sharon Olds, a friend in a local writing group, at a stoplight, on the Hopi Reservation, in the middle of the night in my home, with a group of artists at the Congo River, at Coole Lake in Ireland with my daughter, on a beach in Leros, in the Dodecanese, in India, or in a classroom of children in Seoul, Korea. Each time, place, thing, or person is sacred. And what does the edgelessness of light mean? It means that place where love and light are revealed: a vibrant, gentle, lonely place where the tides of feeling and understanding move in and out with constant illumination and exposure of what is important in the moment before fading, leaving the edgeless shadow of a poem. Writing a poem is my way of blooming, bearing fruit, decaying and returning to that edgelessness of life with a word of praise. I try to share a revelation as I have glimpsed it. When something I have written is felt by you, that for me is a blessing. JAMES McGRATH, poet, visual artist and teacher is known for his narrative poetry in the PBS American Indian Artist Series in the 1970s. He has published poetry in 12 anthologies including Dakotah Territory, Passager, Inside Grief, In Cabin Six, and Mercy of Tides, among others. 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Yet their contribution to contemporary culture and their relationship to social change remain controversial topics in need of reappraisal. This collection brings together fourteen leading scholars of The Beatles to examine their origins, output and legacy. Interdisciplinary in its approach and international is its outlook, The Beatles in Perspective: A Carnival of Light showcases the latest research by historians, literary critics, musicologists, sociologists, poets and cultural critics bringing new perspectives on The Beatles and their milieu which will interest academics and fans alike. The book explores the relationship between The Beatles and their times. It situates them in the changing class, gender and ethnic dynamics of postwar Britain, considers them as Liverpudlians and Orientalists and creative pioneers.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52331073274129,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52331073962257,"sku":"NLS9781781791950","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781781791950.jpg?v=1758147267"},{"product_id":"speaking-with-magpies-book-james-mcgrath-9780865345812","title":"Speaking with Magpies","description":"Male magpies build nests as a courtship ritual, James McGrath says. They risk the future, like poets who risk breathing light and darkness, hoping someone will hear them, yet knowing it does not matter. It is the pilgrimage, the chattering, the nesting of words that say, I am here, that really matter. It is not the verbosity of magpies I understand. It is the opening of mock orange, the white line around a black stone, feathers found on mountain trails, shape-shifting clouds, voices in the blood. It is the unfathomable enchantment of inhaling and exhaling the world while I expect a poem. JAMES McGRATH, poet, visual artist and teacher, is known for his narrative poetry in the KAET\/PBS American Indian Artist Series in the 1970s. He has published poetry in 15 anthologies, including Dakotah Territory, Passager, Inside Grief, In Cabin Six, Mercy of Tides, and Sacred Waters, among others. McGrath was poet-artist-in-residence with the United States Information Service, Arts America in Yemen, Kingdom of Saudi Arabia and the Republic of the Congo in the 1990s and his 50 year retrospective as artist was held at the Meridian Gallery in San Francisco in 2002. 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James is a poet, artist and teacher. He lives in an old adobe house in the traditional village of La Cieneguilla, Santa Fe, New Mexico. He is known for his narrative poetry in the KAET\/PBS American Indian Artist Series of the 1970s: Charles Loloma, Allan Houser, R.C. Gorman, Helen Hardin, Lonewolf and Morning Flower, and Fritz Scholder. His poems have been published in nineteen anthologies. His collections of poetry, At the Edgelessness of Light, Speaking with Magpies and Dreaming Invisible Voices, are published by Sunstone Press. JAMES McGRATH was creative writing instructor and the Institute of American Indian Arts in Santa Fe in the early 1960s. He spent twenty years teaching and as Arts and Humanities Coordinator for the Department of Defense Overseas Schools in Europe and the Far East. He was Poet-artist in Residence with the US Information Service, Arts America, in Yemen, the Kingdom of Saudi Arabia, and the Republic of Congo in the 1990s. 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