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His unlikely allies include a crusading black journalist, a longtime supplier of mercenary arms and troops, and bail bondsman Frankie DeNoux. Yet it is the character of Lew Griffin that takes center stage, as in each of Sallis's highly praised books. He is by now, in this prequel, well on the way to becoming what he will be: violent, kind, contradictory, alcoholic. 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Never has a man's search among those wastes, for that freedom, been better represented than in this stunning conclusion to the Lew Griffin cycle.   In his old house in uptown New Orleans, Lew Griffin is alone again...or almost. He and Deborah are drifting apart. His son David has disappeared again, leaving behind a note that sounds final. Heading homeward from his retirement party, his friend, Don Walsh has been shot while interrupting a robbery. Worst of all, Lew himself is directionless, no longer teaching, with little to fill his days. He hasn't written anything in years. Even the attempt to discover the source of threatening letters sent to a friend leaves him feeling rootless and lost.   Through five previous novels, James Sallis has enthralled and challenged readers as he has told the story of Lew Griffin, private detective, teacher, writer, port, and a black man moving through a white man's world. And now Lew Griffin stands alone in a dark room, looking out. 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