{"title":"Joseph Kerman","description":"\u003cp\u003eExplore the esteemed works of Joseph Kerman, a pivotal figure in musicology. Delve into insightful analyses and critical perspectives that have shaped the understanding of classical music. A must-read for serious music enthusiasts.\u003c\/p\u003e","products":[{"product_id":"new-grove-beethoven-book-joseph-kerman-9780333353851","title":"The New Grove Beethoven","description":"\u003cp\u003eUntil recently, French women playwrights had received almost no critical attention and their works were for the most part completely unknown, but this volume is evidence of the important contribution they have made to world literature. 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Eminent, wide-ranging, and wonderfully readable, Kerman's writing on musicology, opera, Beethoven, and Elizabethan music has informed and inspired an extensive audience both in America and abroad. There is much to interest both the general reader and the musicologist in this collection of twenty essays. Included are several notable pleas addressed by Kerman to his professional colleagues in an effort to get them to adopt a more critical orientation for their work. Other essays range from a moving account of William Byrd as a spokesman for the beleaguered Elizabethan Catholic minority to a discerning analysis of Beethoven's well-known obsession with the key of C minor. The controversial tenets of Kerman's classic Opera as Drama (1956) are reaffirmed in essays on Don Giovanni, The Magic Flute, Tristan und Isolde, Ernani and I Lombardi. Kerman's legacy to a younger generation is here, too: in an exemplary writing style, he offers challenging models for a humane and historically informed music criticism. An added gem is the Preface, which provides an intellectual and anecdotal road map of the place of the essays in Kerman's academic and public expeditions. Joseph Kerman has been at the very center of musicology for almost four decades. 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His gift is so uncommon as to make one sad, Alex Ross has said.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49803910381841,"sku":"CIN1590172655G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50413554336017,"sku":"GOR003526257","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1590172655.jpg?v=1751445265"},{"product_id":"art-of-fugue-book-joseph-kerman-9780520243583","title":"The Art of Fugue","description":"Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues - some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by a CD with new performances made specially for this volume. In addition to the complete scores for all the music discussed in the book, the CD features Karen Rosenak, piano, playing two preludes and fugues from The Well-Tempered Clavier - C Major, book 1; and B Major, book 2 - and recordings by Davitt Moroney of the Fughetta in C Major, BWV 952, on clavichord; the Fugue on 'Jesus Christus unser Heiland', BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49960515141905,"sku":"CIN0520243587G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51734848078097,"sku":"GOR003114082","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0520243587.jpg?v=1750879514"},{"product_id":"opera-as-drama-rare-book-joseph-kerman-1662976287gdo","title":"Opera As Drama.","description":"1957. No Edition Remarks. 269 pages. 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Kerman addresses the full range of the concerto repertory, treating both the general and particular. His perceptive commentary on individual works - with illustrative performances on the accompanying CD - is alive with enthusiasm, intimations, and insights into the spirit of concerto. Concertos model human relationships, according to Kerman, and his description of the conversation between solo instrument and orchestra brings this observation vividly to life. What does the solo instrument do when it first enters in a concerto? how to composers balance claims of solo-orchestra contrast and solo virtuosity? when do they deploy the sumptuous musical textures that only concertos can provide? Kerman's unexpected answers offer a new understanding of the concerto and a stimulus to enhanced listening. In language that the \"Boston Globe's\" Richard Dyer calls \"always delightfully vivid\", Kerman conducts readers and listeners into the conversations that concertos so eloquently enact. Amid the musical forces at play, he renews the dialogue of music lovers with the language of the concerto - the familiar, the lesser-known, the cherished, and the undervalued. The CD packaged with the book contains movements from works that Kerman treats most intensively - by Bach, Mozart, Beethoven, Liszt, Tchaikovsky, Bartok, Stravinsky, and Prokofiev.","brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":50360809062673,"sku":"CIN0674006739A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50360810602769,"sku":"CIN0674006739G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0674006739.jpg?v=1751105293"},{"product_id":"loose-leaf-version-for-listen-book-joseph-kerman-9781457696985","title":"Loose-Leaf Version for Listen","description":null,"brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50375934116113,"sku":"CIN1457696983G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50375941259537,"sku":"CIN1457696983VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1457696983.jpg?v=1751019915"},{"product_id":"listen-brief-edition-six-audio-cds-cd-9781572590687","title":"Listen: Brief Edition","description":"A set of six audio CDs to accompany the main text.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50382116585745,"sku":"CIN1572590688G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50391561306385,"sku":"CIN1572590688VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1572590688_64612f06-852c-4a28-9526-af78bff35bda.jpg?v=1750926405"},{"product_id":"opera-as-drama-book-joseph-kerman-9780520062740","title":"Opera as Drama","description":null,"brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50412563366161,"sku":"CIN0520062744VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51327500648721,"sku":"CIN0520062744G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0520062744.jpg?v=1750697775"},{"product_id":"contemplating-music-book-joseph-kerman-9780674166776","title":"Contemplating Music","description":"There are five publications in issue 8, II-2024 of Journal of Ethnic Microhistory. 1. Dr. Winfrid Halder comments in his essay The Burden of Memory on the biographical novel I was a Wolf Kid from K nigsberg (original title in German: Ich war ein Wolfskind aus K nigsberg) by Ursula Dorn. She describes her experiences that cover mainly the period between the summer of 1944 and October 1948. 2. The editorial board has decided to publish the first chapters of the biographical novel I was a Wolf Kid from K nigsberg by Ursula Dorn to illustrate to some extent the essay The Burden of Memory by Dr. Winfrid Halder. This would be continued in the coming issues of the journal. 3. The article Germany should be Fit for War by the historian Alex Dreger is devoted to the comparative analyses of the publication dated October 7, 1894, in Dortmund Newspaper (Dortmunder Zeitung) that critically examined Wilhelm Liebknecht's speech in the Reichstag, in which one of the leaders of the SPD introduced a proposal for an army reform in accordance with the political views of Marxists on the armed forces. 4. The article Do the Soviet Germans Have a Future? is based on the presentation made on 8 October 1989 in Bonn by the leader of the Russia-German movement Hugo Wormsbecher at the congress of the Association for Germanness Abroad (Verein f r das Deutschtum im Ausland - VDA). The original text is in German with a preceding English abstract. 5. The analytical treatise Moscow is Burning, Moscow is Raging by Robert Korn is devoted to the anti-German Pogroms in Moscow in May 1915. 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