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This book is a comprehensive monograph on Brodovitch's life and work, drawing from interviews with a wide spectrum of colleagues and collaborators - and assimilating previously unpublished material from archives and private collections around the world - to offer an in-depth analysis and appreciation of Brodovitch's unique and lasting contribution to the visual arts.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50003966591249,"sku":"CIN0714841633G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50938058735889,"sku":"GOR006780511","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0714841633.jpg?v=1750881357"},{"product_id":"josef-muller-brockmann-book-kerry-william-purcell-9780714843490","title":"Josef Muller-Brockmann","description":"One of Switzerland's most important graphic designers, Josef Muller-Brockman is the father of functional, objective design. 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Preferring to photograph under the cover of night, Weegee was known for his aggressive use of flash and his photographic eye was unstoppable: drawn to the grotesque, the illicit and the illegal. Named after the 'Ouija' board for his uncanny ability to arrive at the crime scene before the police, Weegee recorded the dark side of New York's streets for years, becoming a prolific photographer. No sordid crime seemed to escape his flash and no crime was too gruesome to capture on camera for the papers the next day.   Weegee's nuanced understanding of people's simultaneous repulsion and attraction to vivid photographs of crimes of passion, murder and brutal accidents reveals him to have been far ahead of his time. 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Exploring key texts in Badiou’s oeuvre and how his philosophical ideas disrupt dominant conceptions of history and the role of the historian, Kerry William Purcell addresses how these ideas could transform our approaches to the historical and what it means to ‘do history’ as a meaningful endeavour. Adopting a chronological approach to Badiou’s work, each chapter explores specific conceptual developments in his writing and how they lend themselves to a reconsideration of the subject who speaks history. 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Exploring key texts in Badiou’s oeuvre and how his philosophical ideas disrupt dominant conceptions of history and the role of the historian, Kerry William Purcell addresses how these ideas could transform our approaches to the historical and what it means to ‘do history’ as a meaningful endeavour. Adopting a chronological approach to Badiou’s work, each chapter explores specific conceptual developments in his writing and how they lend themselves to a reconsideration of the subject who speaks history. 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