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In addition to providing clues to status, profession, and\/or geographic origin, textiles were a crucial element in the economies of many countries and cities.  Much of what is known about medieval fashion is gleaned from the pages of manuscripts, which serve as a rich source of imagery. This volume provides a detailed look at both the actual fabrics and composition of medieval clothing as well as the period's attitude toward fashion through an exploration of illuminated manuscripts in the collection of the J. Paul Getty Museum. The last portion of the book is dedicated to the depiction of clothing in biblical times and the ancient world as seen through a medieval lens. 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Often these images are taken at face value, and assumed to depict everyday clothing at any given time: but illuminators often used dress, and elements within it, to help give nuances to the events they were painting, that contemporary viewers would have understood. Dress historian, Margaret Scott sets about meticulously unraveling the messages about rank, aspiration, belief and occupation encoded within these images. This is the first book deliberately to focus on dress as it is depicted in the illuminated manuscript, and to discuss the advantages and disadvantages of illuminations as source material. 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An introduction outlines the broad developments of dress in the centruy, and a glossary explains the many technical terms. The text should be of use to students, designers and collectors. 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