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Drawing on a wide range of material from several genres, including oral biographies, fiction, film, poetry, and memoir, and grounded in recent theories of narrative and autobiography, postcolonial theory, and critical multiculturalism, By the Breath of Their Mouths is must reading for students in Italian American studies in particular and ethnic studies and multiethnic literature more generally.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49801941549329,"sku":"CIN1438429959G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":53213658120465,"sku":"NLS9781438429953","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1438429959.jpg?v=1750891582"},{"product_id":"by-the-breath-of-their-mouths-book-mary-jo-bona-9781438429960","title":"By the Breath of Their Mouths","description":"In By the Breath of Their Mouths, Mary Jo Bona examines the oral uses of language and the liberating power of speech in Italian American writing, as well as its influences on generations of assimilated Italian American writers. 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Bona demonstrates how four authors, Nathaniel Hawthorne, Alice Walker, Sandra Cisneros, and Adria Bernardi, innovate on pre-modern stories of weaving women in order to explore the intricate connections between handwork, resourcefulness, and mobility. Refracted through the lens of women's migratory experiences vis- -vis cloth-working aesthetics, Women Writing Cloth examines varied aspects of sewing-embroidering, quilting, and rebozo-making-as textual signifiers of mobility and preservation. Through authorial innovation, women's handwork constitutes a revolt against a devaluation of cultural heritage and a distrust of the self. Women Writing Cloth argues that literary, cloth-working women inspire paradigmatic shifts in social codes due to portable skills that enabled their survival in the new world. Bona paints a complex picture of women whose migratory experiences taught them how to live within a stigmatizing culture and beneath institutional powers to control their artistry. Fabric designs assume fuller multicultural meaning when textiles cross borders and tell unspeakable stories that expose constraints typifying gender, race, and heritage. The authors examined simulate the artistic creativity of cloth-work by interrogating traditional assumptions about representation, chronology, and spatial boundaries. Women Writing Cloth breaks new ground to reveal the elaborate relationship between cloth-work expertise and women's mobility. Variations of cloth-working women showcase a relationship between subversive artistry and institutional oppressions that compel strategies of resistance, enable survival, and, inspired by migration, construct inventive fabric creations. 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