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With three chapters each devoted to Stan Brakhage and Robert Beavers, two each to Hollis Frampton and Jonas Mekas, and single chapters on Marie Menken, Ian Hugo, Andrew Noren, Warren Sonbert, Su Friedrich, Ernie Gehr, and Abigail Child, Eyes Upside Down is the fruit of Sitney's lifelong study of visionary aspirations of the American avant-garde cinema. Sitney's earlier book and critical essays defined the field of serious criticism of the American film avant-garde. He supplies a unique approach, critical, formal and intellectual, rather than sociological, ideological or institutional. Like his earlier book, Eyes Upside Down is a dense, sustained blast of convincing criticism which unfolds through a compelling personal vision. 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Rocco i suoi fratelli, La dolce Vita, and Accatone all feature female and male characters grappling with the idea of woman as either the epitome of Marian virtue or Magdalene-like sexuality. With each film under discussion, Sitney provides the relevant political and cultural context to demonstrate how the changes in Italian life found their way into cinematic art. 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Adams Sitney\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eA new collection of essays from P. Adams Sitney, author of Visionary Film, an important and influential early study of American experimental cinema. \u003c\/p\u003e\u003cp\u003eP. Adams Sitney explores incongruous pairings of films, such as Day of Wrath and Smiles of a Summer Night, Bringing Up Baby and There's Something About Mary, Rashomon and M. Hulot's Holiday and Marnie and The Red Desert. Sitney also considers some of the American avant garde filmmakers (such as Jonas Mekas, Stan Brakhage, George Landow and Marjorie Keller), and looks back on his career in teaching and studying films. \u003c\/p\u003e\u003cp\u003eP. Adams Sitney is Professor of Visual Arts at Princeton University. He previously taught at the Cooper Union, Chicago's Art Institute, and New York University. He co-founded the Anthology Film Archives in New York in 1970. Sitney was an important teacher of cinema studies at Princeton and elsewhere. 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Adams Sitney, author of Visionary Film, an important and influential early study of American experimental cinema. P. Adams Sitney explores topics such as Herman Melville and the novel Moby-Dick, Charlie Chaplin, the early cinema of Géorges Méliès, Vertigo (Alfred Hitchcock, 1958), Wavelength (Michael Snow, 1967), the avant-garde cinema of Stan Brakhage, Andy Warhol and Harry Smith, modern poetry (Stéphane Mallarmé, Hart Crane), and the sonnet. Sitney also looks back over his contributions to the world of structural\/ avant-garde film and his encounters with some of its leading lights in the last essay. P. Adams Sitney is Professor of Visual Arts at Princeton University. He previously taught at the Cooper Union, Chicago's Art Institute, and New York University. He co-founded the Anthology Film Archives in New York in 1970. Sitney was an important teacher of cinema studies at Princeton and elsewhere. David James (University of Southern California) dubs Sitney 'the dean of American film historiography'. In 2008, P. Adams Sitney received the Logos-Siegfried Kracauer Award from Anthology Film Archives. He was awarded the President's Award for Distinguished Teaching in 2010. In 2011 he was awarded the Anna-Maria Kellen Berlin Prize from the American Academy in Berlin. He was admitted to the American Academy of Arts and Sciences in 2011. P. Adams Sitney's books include: Visionary Film: The American Avant-Garde, 1943-2000, Vital Crises In Italian Cinema, Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson, The Cinema of Poetry, and Modernist Montage: The Obscurity of Vision In Cinema and Literature. Illustrated. 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