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What this lifestyle hides behind, aside from the monsters on the screen, are the monsters dwelling closer to home: this bacchanalia covers a gnawing hole shelled wide by the horror of the war they thought they'd left behind and the glimpse of an atomic future. It's here that George understands he can never escape his past as Gyorgy, the queer Jew who fled Budapest before the war and landed in New York, all alone, a decade prior. 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