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A poetry of late life, Peter Weltner's AND THEY REACHED OUT THEIR ARMS IN LONGING FOR THE DISTANT SHORE also seeks transport, as poetry often does, to a distant shore, the one of tradition, of meaning, love, and peace. It is a book that re-envisions the deep past of in the writings and history of ancient Greece, Rome, and the biblical world of Mark's gospel, for example. It does so by at the same time pondering the history of violence, in both the distant and the more recent past as a way of elucidating the present. It is a book which seeks, in a sense, longs for, the now that waits for us in the elusive then of the past in order to make a vision of peace more possible.\u003c\/p\u003e\u003cstrong\u003ePeter Weltner\u003c\/strong\u003e is a poet of finely tuned craft with a sensuous ear for the sound of language. His poems look directly at the world. 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The book begins during the Second World War, moves into the years immediately after it, enters into the era of Vietnam and later the AIDs epidemic, and ends with the wars in Iraq. Not all losses are absolute; joy also returns. In the story, Return of the Fallen, Paul Lassiter thinks, How much the dead must miss us to imprint their lives on ours. David Morris \u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52145394450705,"sku":"NLS9780692712801","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52736339378449,"sku":"NIN9780692712801","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780692712801.jpg?v=1757593411"},{"product_id":"water-s-eye-book-peter-weltner-9780692420447","title":"Water's Eye","description":"Water's Eye is a small but stunning book of poetry by Peter Weltner and photographs by artist Galen Garwood. 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It begins in the South, moves to the Northeast and New England, shifts to Texas and the Middle West, and then travels to the Pacific Coast. It concludes with another sort of pilgrimage, with its intimations of journeys' end. Throughout, it is concerned with one theme most of all, the intersection of place, time, and self as each speaks through the other of the meanings that bind them, and us, together.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe pleasures of memory, and the particular beauties of birds and beasts and flowers and trees and seascapes and ground fog, stand always in his poetic regard and craft as not just the compensating matter of existence, but as its continual and commanding presence.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e Donald J. Gray, Professor Emeritus of English, Indiana University, Bloomington\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e Peter Weltner is a poet who is a fine painter of words, an intricate, delicate analyst of emotions, and a writer who puts content, intellect and memory back on the map of poetry, undermining sterile maxims and inept clich s....His poetry celebrates nature's riches joyously and energetically, and conveys the finesse and sorrows of lovers without moralising, in a composed tone that always suggests vulnerability, sensitivity and poignancy. His lyrical grace is inimitable, his lines supple, subtle and nuanced, threaded together with a fine technical skill. Although his poems can be political he is never intent on button-holing the reader, but only in highlighting hypocrisy, humbug and cant wherever he finds it, all this whilst eschewing cynicism and the sardonic sneers we often associate with contemporary poetry, endorsing a latter-day day faith in Whitmanesque democracy. His poetry confirms that poetry can be a 'consoling blessing', and that a writer can stand up to the current contempt for reason and the poisonous ignoring of truth. It is a poetry which opposes brutality and vulgarity. One feels that there is a powerful mind at work in Peter Weltner's work, and the indefinable tenor of that mind is shown in the unique stamp of his voice. His poetry should be better known than it is. \u003c\/p\u003e\u003cp\u003e W. S. 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Weltner's temporal horizon is unbecoming in two ways. On the one hand, it is the wistful, implacable, and often elegiac flow of time--Most of the men I knew then have died. Every day I think of them. And Why must I leave you, the earth I love? as even memory's streams are fated to flow seaward. On the other hand, these poems enact a powerful unbecoming of time, momentarily halting its flow so that the silent preciousness of the past becomes audible. These are compassionate, appreciative yet doleful epiphanies in which the grace of what has been comes forth as it is also slipping away. One last, uncertain glimpse of earth is all I ask from dying: to leave the life I love, forgiven and forgiving.\u003cbr\u003e This is a book to help us with our living and dying in a time of seemingly endless chatter.\u003c\/p\u003e\u003cp\u003eJason M. 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Words italicized by arousal. Nakedness articulated by folds of cloth, a dialogue of flesh and flow that signals classical antiquity, but also the mystical inwardness of Mary s mantel. If the body is a language, here it speaks, in itself, of happiness, fulfillment, lush utopia. Arousal is the wing that carries it upward. Not wisdom through suffering but awe. But desire ignited by beauty, desire that submits to beauty that s another story, a story that may involve destruction, obsession and loss. And memory: our culture s visual memory, like the pictorialist photographs of Imogen Cunningham or the ethnographic studies of young natives by Baron von Gloeden, who also carried his camera to Sicily, and personal memory, like the Ronnie s and Bob s of Weltner s past. John Keats called beauty truth. Is it? Weltner and Garwood are not suspicious of beauty, belittled by it, made ironic by it. What do we do with beauty? submit to it, aspire to it, be ennobled by it, be destroyed by it? 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