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Forever curious and eager to learn new things about ceramics, Phil Rogers constantly tinkered with clay bodies, glaze formulae and approaches to firing. This volume is his seminal work on transforming ash into glaze: an essential text for all potters and ceramicists with additional relevance today with its focus on prioritising the use of natural resources.  Ash Glazes examines the practicalities of collecting and testing wood ashes, demonstrates the process of making them into glazes and offers a step-by-step guide to using them to decorate your pots.  This edition, updated and revised by Hajeong Lee Rogers, is a celebration of pottery at its best. Starting with an introduction to the history of ash glazes, then moving on to a wide range of practical advice and methods, the book is enlivened by photographs of the work of potters from around the world, who use ash in colourful and imaginative ways. 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Heck, this was an organization that had thrown one since it last won one, making its stamp on baseball history with the 1919 Black Sox gambling scandal. The White Sox had been back to the World Series only once since then, with the Go-Go Sox losing in 1959. This was the history that Williams and his manager, Ozzie Guillen, a fan favorite from his playing days, were trying to change. They rebuilt their roster--looking for more pitching, speed, and better fielding after years of trying to bully the opposition--and caught fire, building a 15-game lead on August 1. They would watch all but 1 1\/2 games of the lead leak away, but rediscover themselves in time to construct the greatest run through October in history. The White Sox got breaks and took advantage of every one of them. They won 16 of their last 17 games, including 11 of 12 in the playoffs, and outscored the Boston Red Sox, Los Angeles Angels, and Houston Astros by 33 runs, the biggest run differential in playoff history. 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The earliest such glazes can be traced back to the Shang period in China (c. 1500 B.C.), and it is thought they were produced accidentally, the result of white-hot wood ash being carried through the kiln with the draft of the fire and settling onto the pots, where the searing white heat melted it to a glass. Three thousand years later, wood ash remains an important and immensely popular feature of pottery glaze making.  For the modern potter, the satisfaction of working with ash glazes comes from following an ancient tradition as well as from using materials that occur naturally. The results of different wood ashes often vary dramatically, making it possible to achieve a wide range of unique finishes. Even wood from the same species of tree garnered just miles apart can produce subtly different results.  In this second edition of Ash Glazes, Phil Rogers covers the history of ash glazes and proceeds to discuss the practicalities of collecting and testing wood ashes and transforming them into glazes. In the final portion of the book, he looks at the work of some leading international potters whose work is typified by the array of finishes that they achieve through their use of wood ash glazes. Images of their work offer an impressive display of the colors and techniques possible through this glazing technique.  Ash Glazes has been designed as an introduction and practical handbook to the subject. 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Salt glazing has a long history, from its early use in German storage jars, then in Victorian industrial sewage pipes to its current position as one of the most exciting areas of studio ceramics. This pottery, with its distinctive 'orange peel' surface, has long attracted both makers and collectors.   In this book, Phil Rogers teaches you all aspects of this very special glazing technique. Starting with a brief overview of the history of salt glazing, he then discusses the technical considerations that set this form of glazing apart from all others. Given particular attention are kilns, which are such an important factor in this technique. Finally, the work of the world's leading artists using this particular medium are showcased.   Beautifully illustrated throughout, Salt Glazing is a must on the reference shelves of all ceramicists and collectors or studio ceramics, but it should particularly appeal to all those who enjoy the wonderful surface textures that this medium provides.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51607169237265,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51607169433873,"sku":"NGR9781789944105","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1789944104.jpg?v=1751059749"},{"product_id":"salt-glazing-book-phil-rogers-9781512829464","title":"Salt Glazing","description":"Salt glazing, with its distinctive \"orange peel\" surface, has long attracted both ceramicists and collectors. In his new book, well-known potter Phil Rogers looks at all the aspects of this very special glazing technique.  Salt Glazing covers the history of salt glazing and the technical considerations—particularly kilns—that set this form of glazing apart from all other studio ceramics. Rogers also showcases the work of such leading salt glaze artists as Byron Temple, Jeff Oestrich, and Hans and Birgette Borjenson. Beautifully illustrated, Salt Glazing is a must for students, professional potters, and collectors of studio ceramics who enjoy the wonderful surface textures this popular medium makes possible.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52511753306385,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52511753437457,"sku":"NIN9781512829464","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781512829464.jpg?v=1760438141"},{"product_id":"throwing-pots-book-phil-rogers-9780713687767","title":"Throwing Pots","description":"Throwing is a skill that many potters seek to master. 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