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Samuels calls as witness numerous authorities - Bede and Gerald of Barri, Macaulay and Stubbs, Shakespeare and Dickens, Lord Reith and Raymond Williams, Margaret Thatcher and Tony Benn - each of whom sought to renew the sense of national identity by means of an acute sense of the past. 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This 'unofficial knowledge' transformed what history was, who was allowed to do it, and who it was for.  Workshop of the World brings the full range and depth of Samuel's historical writing on nineteenth-century Britain to the fore. From his pioneering study of the influence of the Catholic Church on England's Irish population to his expansive and erudite essay on the itinerant labourers of Victorian Britain, the collection captures both the breadth and depth of his learning. Guided by both a political engagement as well as a methodological commitment to uncovering the stories of ordinary people, Workshop of the World will help introduce Raphael Samuel's work to a new generation of readers.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49753437307153,"sku":"NGR9781804292808","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50469375869201,"sku":"GOR013791639","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/180429280X.jpg?v=1751060361"},{"product_id":"theatres-of-memory-book-raphael-samuel-9781844678693","title":"Theatres of Memory","description":"When Theatres of Memory was first published in 1994, it transformed the debate about what is to be considered history and questioned the role of \"heritage\" that lies at the heart of every Western nation's obsession with the past. 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Thus in 'magic realism' or 'modern Gothic' the fairy tale can appear as the latest thing; while in the visual arts, futurist installations offer themselves as parodies of Old Masters. 'Back to the Future' is also a leitmotiv in commodity and marketing design-something discussed here under the heading of 'Retrochic'-while in Britain, as in other advanced capitalist societies, conservation has been the cutting edge of the business recolonization of the inner city. According to critics of the heritage industry the current obsession with the past signals not a return to tradition but the exhaustion of history's grand narratives. The postmodern condition, so the argument runs, is one where the future has spectacularly parted company from the past. Nostalgia is the sigh of the historically orphaned, heritage a symptom of national decay. In this book-the first of a trilogy-Raphael Samuel takes issue with the heritage baiters. He offers an alternative genealogy of resurrectionism, relating it to the environmentalist movements of our time. He argues that we live in an expanding historical culture, one which is newly alert to the evidence of the visual, and which is reconnecting the study of landscape and townscape to that of the natural world. It is also, he argues, more democratic than earlier versions of the national past, and much more hospitable to hitherto stigmatized minorities. 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