{"title":"Stella Panayotova","description":null,"products":[{"product_id":"macclesfield-psalter-book-stella-panayotova-9780904454703","title":"The Macclesfield Psalter","description":null,"brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49559077421329,"sku":"GOR001338454","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50127772320017,"sku":"CIN0904454703G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50338767929617,"sku":"CIN0904454703VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":50446981988625,"sku":"CIN0904454703A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53333399765265,"sku":"GOR002446694","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0904454703.jpg?v=1751265352"},{"product_id":"i-turned-it-into-a-palace-book-stella-panayotova-9780904454840","title":"I Turned it into a Palace","description":null,"brand":"WoB","offers":[{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":50109547249937,"sku":"GOR013858332","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50414602649873,"sku":"GOR007374563","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0904454843.jpg?v=1751364468"},{"product_id":"macclesfield-psalter-book-stella-panayotova-9780500238523","title":"The Macclesfield Psalter","description":"Real discoveries of treasures are exceptionally rare. The Macclesfield Psalter (c. 1335), a jewel of manuscript painting, was unknown before its sale by Sotheby’s in 2004; it came to international attention and is now recognized as the most important discovery in Britain of a medieval manuscript in living memory. Its pages offer an intimate view of the medieval world and the beliefs, prejudices, follies, aspirations and sentiments of its people. Doctors, priests, minstrels, mummers, farmers, dancers, tricksters and beggars mingle in the margins as they would have done on the streets of a busy town. Here, Stella Panayotova shares her intimate knowledge of the psalter and its historical context in an extended commentary, which unfolds an engrossing quest for the provenance of the manuscript and a beguiling account of its contents and meaning. Sumptuously presented in a cloth-covered slipcase, this edition is a delight to the eye and a challenge to the intellect.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51311240347921,"sku":"GOR004551420","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0500238529.jpg?v=1750698537"},{"product_id":"tributes-to-elly-miller-book-stella-panayotova-9781915487377","title":"Tributes to Elly Miller","description":"Opening Manuscripts, inspired by Elly Miller's passion for manuscripts and her commitment to their study, shines a light on the many ways in which medieval manuscripts can be understood. From the physical unfolding of the parchment to discussions of iconography, dating and influences, over time and across countries, each of the volume's nineteen richly illustrated essays by distinguished scholars in the field asks us to explore a different aspect of the illuminated manuscript. It is a splendid tribute to Elly Miller (1928-2020), the driving force behind Harvey Miller Publishers, who championed medieval art for over half a century. From 1970 to the end of her life, her role as publisher, not only commissioning but also personally editing and designing, was fundamental to the development of the scholarly study and wider appreciation of handwritten and illustrated books of the Middle Ages and the Renaissance.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52673952710929,"sku":"NLS9781915487377","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781915487377.jpg?v=1762298365"},{"product_id":"art-and-science-book-stella-panayotova-9781912554133","title":"Art and Science","description":"This ground-breaking publication presents the papers delivered at the international Conference held in Cambridge in December 2016 to mark the end of the Fitzwilliam Museum's acclaimed bicentenary exhibition COLOUR: THE ART AND SCIENCE OF ILLUMINATED MANUSCRIPTS. It is the first of two volumes in which medievalists and scientists share the results of their research, and combine here to elucidate both the materials and techniques of production of illuminated manuscripts, as well as the artists' collaboration and their aesthetic objectives. Of the 34 papers given at the proceedings, 17 are included in the present volume covering scientific analyses of West European, Byzantine and Islamic manuscripts, Colour and Pigment Studies, Painting Techniques and Workshop Practices, as well as details of the latest scientific techniques and instruments employed for these non-invasive and non-destructive investigations into the delicate manuscripts. The texts are accompanied by over 200 illustrations as well as explanatory Tables and Diagrams.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52680382578961,"sku":"NLS9781912554133","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781912554133.jpg?v=1762312980"},{"product_id":"catalogue-of-western-book-illumination-in-the-fitzwilliam-museum-and-the-cambrid-book-stella-panayotova-9781909400047","title":"A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges","description":"This publication is the first volume to appear in the catalogue series devoted to the British Isles and covers Insular and Anglo-Saxon manuscripts produced between c. 700 and c. 1100 AD. This was a period in which Britain witnessed a great blossoming of cultural awareness and artistic craftsmanship. Under the reign of King Alfred towards the end of the ninth century England experienced a renewed impetus for scholarly activity, and as a result the production of books intensified greatly. By the early tenth century, influenced and inspired by new trends and ideas from Continental Europe, English art began to flourish, and manuscript illumination especially made a great impact with the high quality of its figure style and decorated initials, and with its elegance of script and mise-en-page. Cambridge is fortunate in having a significant collection of manuscripts from this period, and the ninety-seven works catalogued and richly illustrated here are amongst the finest surviving examples of Anglo-Saxon decoration. Included here are the fragmentary yet striking remains of a once magnificent early eighth-century Northumbrian Gospels, while an early tenth-century copy of Bede's Life of St Cuthbert contains a full-page image of King Aethelstan offering a book to St Cuthbert, that may be the earliest presentation scene surviving in England. In another tenth-century manuscript, Amalarius of Metz's Liber officialis, one may see the fullest repertoire of ingenious interlace and zoomorphic initials-the high-point of Anglo-Saxon drawing skills. In yet another Gospel book, from the early eleventh century, a de luxe manuscript resplendent with gold, one can find all the characteristic features of Anglo-Saxon iconography and style, including exuberant frame ornamentation, as well as examples of drapery with agitated fluttering hemlines, the hall-mark of Carolingian-inspired draughtsmanship. In addition to the detailed catalogue of Anglo-Saxon manuscripts produced in England, Ireland and Wales, the volume also includes an Addenda to the previously published Part One of this series, listing thirteen Frankish manuscripts from the eighth to the tenth century that had not been catalogued before. Among these is the well-known copy of Hrabanus Maurus' De laudibus sanctae crucis whose place of origin and circumstances of production still remain to be established. Every manuscript catalogued is illustrated in full colour, mostly with several illustrations, and frequently with special detail images. There is also an exhaustive bibliography and the catalogue is fully indexed including a comprehensive iconographic index.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52680508178705,"sku":"NLS9781909400047","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781909400047.jpg?v=1762313289"},{"product_id":"catalogue-of-western-book-illumination-in-the-fitzwilliam-museum-and-the-cambrid-book-stella-panayotova-9781909400375","title":"A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Three","description":"This volume contains an impressive range of texts, from Horace (Cat. 17) and Ovid (Cat. 61) to the earliest known copy of the Collectio Lanfranci (Cat. 5) and Gerard of Cremona's translations of Rasis' works (Cat. 93). The bulk, however, consists of Bibles of two kinds: imposing glossed books, produced in great numbers in the twelfth-century, and their thirteenth-century successors, the compact pandects. Both categories include some of the most richly illuminated French manuscripts of the period. Among the former are two deluxe sets made for Thomas Becket, the first completed while he was in exile in Pontigny and Sens from 1164 until 1170 (Cat. 27-31), the second edited after his martyrdom by his secretary Herbert of Bosham (Cat. 32-34). The majority of the thirteenth-century Bibles are so-called 'Paris' or 'pocket' Bibles produced from the 1220s onwards, mostly in Paris, and containing the biblical books in a standard order. They are illuminated in a variety of figure and ornamental styles, some comparable to the Bibles moralisees of c.1220-1240 (e.g. Cat. 72), others bearing no resemblance to them (e.g. Cat. 73). There are also notable exceptions of complete Bibles made not in Paris, but in North-Eastern France or Champagne (e.g. Cat. 70), and displaying iconography, figure styles and order of books different from those found in their better-known Parisian contemporaries. We hope that the inclusion of numerous images in full colour representing Bibles illuminated in all of these different styles will inspire and support further research, especially on the ornamental initials which deserve more attention. While this volume contains outstanding examples of illumination, notably the work of the itinerant Simon Master (Cat. 46), it also includes books that are modest in artistic terms, but valuable in other ways. Among them is a glossed Ezekiel which boasts one of the finest Romanesque bindings to survive in Cambridge collections, made almost certainly in Paris c.1160-1170 (Cat. 41). Other aesthetically unassuming volumes form important groups of material, for instance, the books assembled by Master Robert Amiclas during his forty years in France and given or sold by him to the Cistercian Abbey of Buildwas in Shropshire (Cat. 20-26, 37).","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52680538652945,"sku":"NLS9781909400375","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781909400375.jpg?v=1762313369"},{"product_id":"illuminated-manuscripts-in-cambridge-part-two-2-volume-set-book-stella-panayotova-9781905375851","title":"Illuminated Manuscripts in Cambridge, Part Two 2 Volume Set","description":"This new publication constitutes Part Two of the multi-volume Cambridge Illuminations Research Project cataloguing all western illuminated manuscripts in the Fitzwilliam Museum and the Cambridge Colleges. It covers manuscripts produced in Italy and the Iberian Peninsula, ranging from the early Gospels of St Augustine made in sixth-century Rome, through the carefully designed patristic texts from twelfth-century Tuscany and Lombardy, the great law books of thirteenth- and fourteenth-century Bologna, the opulent Books of Hours, elegant Humanistic volumes and enormous Choir Books of the fifteenth century, and finally to the richly decorated and densely ornamented books of sixteenth-century Spain. In addition to the famous treasures, these catalogues include a considerable number of previously unpublished cuttings, among them new attributions to leading artists and exciting discoveries, all of which offer a stimulating source for further research. Every manuscript catalogued is also illustrated, frequently with several images, all reproduced in full colour. Entries for Italian manuscripts are arranged chronologically in the period up to 1200, while manuscripts produced after 1200 are catalogued by region of origin and within that division again by sequence of date. Manuscripts that cannot at present be allocated to a particular region are grouped in a special section, and Spanish books are again catalogued in chronological order.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52681009234193,"sku":"NLS9781905375851","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781905375851.jpg?v=1762314517"},{"product_id":"art-and-science-book-stella-panayotova-9781909400108","title":"Art and Science","description":"This ground-breaking publication presents the papers delivered at the international Conference held in Cambridge in December 2016 to mark the end of the Fitzwilliam Museum's acclaimed bicentenary exhibition COLOUR: THE ART AND SCIENCE OF ILLUMINATED MANUSCRIPTS. 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This was followed by an international Conference, in which art historians, paper and book conservators, and cultural heritage scientists were brought together to share new recent research not only on manuscripts but also on painting in other media. The Conference proceedings were published in the first two volumes of the HMIMA series (2017-2018). The present publication includes 6 Essays by way of introducing and explaining the major topics being investigated, including the range of inks, pigments and paint binders used by illuminators; parchment-making; pigment recipes; and model books. The many analytical instruments and techniques that are used to investigate manuscripts are also discussed. Then follow 58 Case Studies of manuscripts from as early as the year 700 up to c.1600. All these are fully illustrated in colour and in great detail, and should act as examples to inform scholars in libraries, museums and other cultural institutions of the benefits of adding scientific tools to the range of methods used to investigate manuscripts.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52902761398545,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52902761431313,"sku":"NLS9781912554591","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781912554591.jpg?v=1765585843"}],"url":"https:\/\/www.worldofbooks.com\/en-au\/collections\/author-books-by-stella-panayotova.oembed","provider":"World of Books ","version":"1.0","type":"link"}