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When we'd rather die every death again and again, than spend one moment away from our heart's true content? Wytovich plays Virgil in a collection of celestial horror that challenges the definition of angels and demons, of love and hate. She weaves through tales of heartbreak and sorrow, through poems depicting lust and greed, as her words prove testament that Heaven and Hell can be one and the same, a paradise and an inferno. Her women, some innocent, some not, walk through the circles, fall off of clouds, deny their wings, and expose their hearts to demons and devils, to imps and to fiends. They turn their backs on everything they know, question their morals and their faith, all in the name of love, and together, the good help the bad, and the bad, help the good. Not every angel has wings just as not every demon has claws.\u003c\/p\u003e \u003cp\u003eWytovich shows us that love isn't always the saving grace that we expect it to be. 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Whether it's from the nuclear meltdown, the wrath of the Four Horsemen, a war with technology, or a consequence of our relationship with the planet, humanity is left buried and hiding, our bones exposed, our hearts beating somewhere in our freshly slit throats.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe Apocalyptic Mannequin \u003c\/em\u003eby Stephanie M. Wytovich is a collection that strips away civilization and throws readers into the lives of its survivors. The poems inside are undelivered letters, tear-soaked whispers, and unanswered prayers. They are every worry you've had when your electricity went out, and every pit that grew in your stomach watching the news at night. They are tragedy and trauma, but they are also grief and fear, fear of who--or what--lives inside us once everything is taken away.\u003c\/p\u003e\u003cp\u003eThese pages hold the teeth of monsters against the faded photographs of family and friends, and here, Wytovich is both plague doctor and midwife, both judge and jury, forever searching through severed limbs and exposed wires as she straddles the line evaluating what's moral versus what's necessary to survive.\u003c\/p\u003e\u003cp\u003eWhat's clear though, is that the world is burning and we don't remember who we are.\u003c\/p\u003e\u003cp\u003eSo tell me: who will you become when it's over?\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50394873495825,"sku":"CIN1947879138G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51057710596369,"sku":"NIN9781947879133","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52659359678737,"sku":"NLS9781947879133","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1947879138.jpg?v=1751413835"},{"product_id":"hysteria-book-stephanie-m-wytovich-9781935738497","title":"Hysteria","description":"Asylums once used to confine those deemed mentally unfit linger, forgotten behind trees or urban development, beautiful yet desolate in their decay. 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The tradition of Victorian mourning jewelry began with Queen Victoria after the death of her husband, Prince Albert. Without photography, mementos of personal remembrance were used to honor the dead so that their loved ones could commemorate their memory and keep their spirits close. Ashes were placed within rings, and necklaces were made out of hair, and the concept of death photography, small portraitures of the deceased, were often encased behind glass. Mourning jewelry became a fashion statement as much as a way to cope with grief, and as their pain evolved over the years, so did their jewelry. But what about the sadness and the memories that they kept close to them at all times? The death-day visions and the reoccurring nightmares? Wytovich explores the horror that breeds inside of the lockets, the quiet terror that hides in the center of the rings. Her collection shows that mourning isn't a temporary state of being, but rather a permanent sickness, an encompassing disease. Her women are alive and dead, lovers and ghosts. They live in worlds that we cannot see, but that we can feel at midnight, that we can explore at three a.m. Wytovich shows us that there are hearts to shadows and pulses beneath the grave. To her, Mourning Jewelry isn't something that you wear around your neck. It's not fashion or a trend. 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