{"title":"Suzanne Gossett","description":"\u003cp\u003eDelve into Suzanne Gossett's compelling works, often exploring themes of identity, relationships, and self-discovery. Perfect for readers who enjoy character-driven narratives and thought-provoking storytelling.\u003c\/p\u003e","products":[{"product_id":"bartholomew-fair-revels-student-edition-book-suzanne-gossett-9780719051500","title":"Bartholomew Fair (Revels Student Edition)","description":"\u003cp\u003eBenjamin Jonson (c. 11 June 1572 - c. 16 August 1637) was an English playwright and poet, whose artistry exerted a lasting impact upon English poetry and stage comedy. He popularised the comedy of humours. He is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Fox (c. 1606), The Alchemist (1610) and Bartholomew Fair (1614) and for his lyric and epigrammatic poetry. He is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I.\u003c\/p\u003e\u003cp\u003eJonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603-1625) and of the Caroline era (1625-1642).\u003c\/p\u003e\u003cp\u003eJonson was a towering literary figure, and his influence was enormous for he has been described as 'One of the most vigorous minds that ever added to the strength of English literature'. Before the English Civil War, the Tribe of Ben touted his importance, and during the Restoration Jonson's satirical comedies and his theory and practice of humour characters (which are often misunderstood; see William Congreve's letters for clarification) was extremely influential, providing the blueprint for many Restoration comedies. John Aubrey wrote of Jonson in Brief Lives. By 1700 Jonson's status began to decline. In the Romantic era, Jonson suffered the fate of being unfairly compared and contrasted to Shakespeare, as the taste for Jonson's type of satirical comedy decreased. Jonson was at times greatly appreciated by the Romantics, but overall he was denigrated for not writing in a Shakespearean vein. 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Edited from two manuscripts in the Folger Shakespeare Library, the plays range from short dialogues such as Priest the Barbar, and Sweetball his Man, to the more elaborate Heteroclitanomalonomia an academic grammar play filled with political and college allegories. Gossett and Berger provide helpful introductions to each play, and discuss the contents and condition of the two manuscripts.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50345555099921,"sku":"CIN0197290256G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0197290256.jpg?v=1750780168"},{"product_id":"thomas-middleton-in-context-book-suzanne-gossett-9781107685642","title":"Thomas Middleton in Context","description":"The redefinition of the Thomas Middleton canon has led to an explosion of interest in this quintessential Jacobean. Middleton's best-known plays, such as Women Beware Women and The Changeling, are now staged, filmed and rewritten for modern audiences. But Middleton also wrote religious poetry, satires, historical allegory, prose and less familiar plays, collaborating frequently, even with Shakespeare. His works are rooted in his historical and cultural environment, from the Overbury scandal to the fall of the boys' companies. Here, experts in literature, theatre, history, law and religion analyze the complex contexts of Middleton's works, clarifying debates over his religious and political affiliations. Divided into sections presenting new interpretations of the world in which Middleton wrote - as a Londoner, citizen, dramatist and early modern man - and concluding with a section on performance history, the essays cover the full range of his works, from the frequently performed to the newest attributions.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":50697288974609,"sku":"NGR9781107685642","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50811334590737,"sku":"GOR012073047","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51019672486161,"sku":"NIN9781107685642","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52403736248593,"sku":"NLS9781107685642","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1107685648.jpg?v=1751366957"},{"product_id":"shakespeare-and-textual-theory-book-suzanne-gossett-9781350121249","title":"Shakespeare and Textual Theory","description":"There is no Shakespeare without text. Yet readers often do not realize that the words in the book they hold, like the dialogue they hear from the stage, has been revised, augmented and emended since Shakespeare’s lifetime. An essential resource for the history of Shakespeare on the page, Shakespeare and Textual Theory traces the explanatory underpinnings of these changes through the centuries.   After providing an introduction to early modern printing practices, Suzanne Gossett describes the original quartos and folios as well as the first collected editions. Subsequent sections summarize the work of the ‘New Bibliographers’ and the radical challenge to their technical analysis posed by poststructuralist theory, which undermined the presumed stability of author and text. Shakespeare and Textual Theory presents a balanced view of the current theoretical debates, which include the nature of the surviving texts we call Shakespeare’s; the relationship of the author ‘Shakespeare’ and of authorial intentions to any of these texts; the extent and nature of Shakespeare’s collaboration with others; and the best or most desirable way to present the texts - in editions or performances. The book is illustrated throughout with examples showing how theoretical decisions affect the text of Shakespeare’s plays, and case studies of Hamlet and Pericles demonstrate how different theories complicate both text and meaning, whether a play survives in one version or several. The conclusion summarizes the many ways in which beliefs about Shakespeare’s texts have changed over the centuries.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52140317606161,"sku":"NLS9781350121249","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781350121249.jpg?v=1757573851"},{"product_id":"influence-of-the-jacobean-masque-on-the-plays-of-beaumont-and-fletcher-book-suzanne-gossett-9780415787505","title":"The Influence of the Jacobean Masque on the Plays of Beaumont and Fletcher","description":"This title, first published in 1988, examines the influence of the Jacobean masque on the plays of Francis Beaumont and John Fletcher. The author examines the ways in which the plays of Beaumont and Fletcher represent not only a great expression of human emotion, but how they are also a fine example of the growth and change of dramatic form. This title will be of interest to students of drama, literature and performance studies.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52537824018705,"sku":"NLS9780415787505","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780415787505.jpg?v=1760679666"},{"product_id":"editing-an-early-modern-play-book-suzanne-gossett-9781009405584","title":"Editing an Early Modern Play","description":"More than half a century ago Clifford Leech published a useful essay called 'On editing one's first play', intended to 'save newly commissioned editors from a sense of frustration and an expense of time' by providing 'some guiding-lines'. The intervening years have seen massive changes in attitudes towards editing and in the technical expertise required. Neither editor nor reader can any longer be assumed to be white, male and Christian, or trained in the classics and the Bible. Editing is now recognized as a crucial intersection between critical and textual theory. Yet the skills required are not usually taught in graduate schools, and many competent scholars are uncomfortable answering such questions as 'what do editors actually do when they edit an early modern play?' 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