{"title":"Bloomsbury Research In Illustration Series","description":"\u003cp\u003eDelve into the fascinating world of illustration with this esteemed Bloomsbury series. A treasure trove for art historians, students, and enthusiasts alike, explore the diverse narratives and techniques shaping visual culture.\u003c\/p\u003e","products":[{"product_id":"illustration-and-heritage-book-rachel-emily-taylor-9781350296022","title":"Illustration and Heritage","description":"Through the lens of illustration, the author explores how historical voice can be 'found' or reconstructed within heritage practice.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49748808433937,"sku":"NGR9781350296022","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53201043161361,"sku":"GOR013657249","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1350296023.jpg?v=1779961737"},{"product_id":"representations-of-art-and-art-museums-in-childrens-picture-books-book-emeritus-perry-nodelman-9781350442313","title":"Representations of Art and Art Museums in Childrens Picture Books","description":"What happens when the assumptions and practices of museum curators and art educators intersect with the assumptions and practices of publishing for children?  This study explores how over three hundred children’s picture books, most of them published in the last three decades in English, introduce children to art and art museums. It considers how the books emerge from and relate to a range of theories and assumptions about childhood and childhood development, children’s literature and culture, illustration, visual art, museology, and art education.   As well as examining how these theories and assumptions influence what picture books teach young readers about visiting museums and about how to look at and think about art, it examines which artists and artworks appear most often in picture books and offers a survey of different kinds of art-related picture books: ones that claim to be purely informational, ones that make looking at art a game or a puzzle, ones in which children visit art museums, and many more. Since the books all include reproductions of or allusions to museum artworks, the study also considers the problems illustrators face in depicting museum artworks in illustrations in a different style.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50718894358801,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50718895767825,"sku":"NGR9781350442313","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1350442313.jpg?v=1750857221"},{"product_id":"illustrated-sheet-music-in-the-u-s-1830-1930-book-theresa-leininger-miller-9781350450011","title":"Illustrated Sheet Music in the U.S., 1830-1930","description":"Illustrated sheet music was one of the most democratic forms of visual imagery in the U.S., owned by millions of Americans  wooed by compelling lithographic covers, who displayed  and performed compositions on home pianos.   Advancements in printing technologies in the 19th century, together with an emergent commercial system that facilitated the publication and broad distribution of popular music, led to a surge of elaborately illustrated sheet music. This book features essays by cutting-edge scholars who analyze the remarkable images that persuaded U.S. citizens to purchase mass-produced compositions for both personal and social pleasure. With some songs selling millions of copies as printed musical scores, music publishers commissioned artists to draw every conceivable subject as promotional illustrations, including genre scenes, portraits, political and historical events, sentimental allegories, flowers, landscapes, commercial buildings, and maritime views.   As ubiquitous and democratic material culture, this imagery affected ordinary people in far greater ways than unique objects, like paintings and sculpture, possibly could. The pictures, many in saturated color with bold graphics, still intrigue, amaze, and amuse viewers today with their originality, skill, and content.   Rooted in visual analysis, topics in this collection include perennially significant themes: race, ethnicity, gender, sexuality, class, politics, war, patriotism, propaganda, religion, transportation, regional centers of production, technology, Reconstruction, romance, and comedy, as well as bodies of work by specific illustrators and lithographic firms. In recognizing the role that individuals have  played in preserving these remarkable objects, it also features interviews with enthusiasts who own two of the largest private collections of sheet music in the U.S.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":52517173592337,"sku":"NIN9781350450011","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781350450011.jpg?v=1760515355"},{"product_id":"drawn-together-book-luise-vormittag-9781350252462","title":"Drawn Together","description":"Illustrators are increasingly connecting with community groups and members of the public to explore links between people, local knowledge and image making practices. This raises a number of questions: What processes are set in motion when illustrators seek to engage with community? How can illustration bring to light the concerns, interests and challenges of a group of people? And can illustration help us think about the conditions of sociability more generally?    Luise Vormittag argues that these questions go to the core of what it means to be political. Using both her own work and other illustrators’ projects as case studies Vormittag suggests that participatory illustration is a particularly effective medium for illuminating and reflecting on our social interdependence. Rather than accepting conventional, often nostalgic or identitarian notions of community, she positions it as a shared practice of communication and collaborative sense-making. Illustrations that refer to collective matters of concern can be the catalyst, focal point and trace of relational and dialogic interactions.   This book is a contribution to the burgeoning field of illustration research that aims to extend the discipline through theoretically grounded practice-led research. By intertwining illustration practice with European philosophy and drawing on ideas from ethnography, translation studies and theories of the public sphere, Vormittag offers new conceptual pathways for rethinking the practice and potential of illustration.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52799053791505,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":52799053988113,"sku":"NGR9781350252462","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781350252462.jpg?v=1764164152"},{"product_id":"drawn-together-book-luise-vormittag-9781350634749","title":"Drawn Together","description":"Illustrators are increasingly connecting with community groups and members of the public to explore links between people, local knowledge and image making practices. 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