{"title":"Harvard Film Studies","description":"\u003cp\u003eDelve into the world of cinema with the Harvard Film Studies series. Explore critical analyses, historical perspectives, and groundbreaking theories from leading scholars. A must-read for film enthusiasts and academics alike.\u003c\/p\u003e","products":[{"product_id":"cahiers-du-cinema-book-jim-hillier-9780674090651","title":"Cahiers du Cinema","description":"In the turbulent sixties, the provocative French film journal Cahiers du Cinéma was at its most influential and controversial. The first successes of the New Wave by major Cahiers contributors such as Jean-Luc Godard, François Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to film criticism; and in the early 1960s the journal’s laudatory critiques of popular American movies were attaining the greatest notoriety.  As the lively articles, interviews, and polemical discussions in this volume reveal, the 1960s saw the beginnings of significant new directions in filmmaking and film criticism changes in which the New Wave itself was a major factor. The auteur theory that the journal had championed in the 1950s began to be rethought and revalued. At the same time, along with a reassessment of American film, Cahiers began to embrace new, often oppositional forms of cinema and criticism, culminating in the political and aesthetic radicalism of the ensuing decade.  The selections, translated under the supervision of the British Film Institute, are annotated by Jim Hillier, and context is provided in his general introduction and part introductions. For an understanding of the important changes that took place in cinema and film criticism in the 1960s and beyond, this book is essential reading.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49677679034641,"sku":"CIN0674090659G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49887122325777,"sku":"GOR003931303","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50483769213201,"sku":"CIN0674090659VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50712978063633,"sku":"GOR011820018","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0674090659.jpg?v=1751105381"},{"product_id":"pursuits-of-happiness-book-stanley-cavell-9780674739062","title":"Pursuits of Happiness","description":"During the 30s and 40s, Hollywood produced a genre of madcap comedies that emphasized reuniting the central couple after divorce or separation. 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An anthology devoted entirely to its writings, in English translation, is long overdue.  The selections in this volume are drawn from the colorful first decade of Cahiers, 1951–1959, when a group of young iconoclasts rocked the world of film criticism with their provocative views on international cinema—American, Italian, and French in particular. They challenged long-established Anglo-Saxon attitudes by championing American popular movies, addressing genres such as the Western and the thriller and the aesthetics of technological developments like CinemaScope, emphasizing mise en scène as much as thematic content, and assessing the work of individual filmmakers such as Hawks, Hitchcock, and Nicholas Ray in terms of a new theory of the director as author, auteur, a revolutionary concept at the time. Italian film, especially the work of Rossellini, prompted sharp debates about realism that helped shift the focus of critical discussion from content toward style. The critiques of French cinema have special interest because many of the journal’s major contributors and theorists—Godard, Truffaut, Rohmer, Rivette, Chabrol—were to become some of France’s most important film directors and leaders of the New Wave.  Translated under the supervision of the British Film Institute, the selections have for the most part never appeared in English until now. Jim Hillier has organized them into topical groupings and has provided introductions to the parts as well as the whole. Together these essays, reviews, discussions, and polemics reveal the central ideas of the Cahiers of the 1950s not as fixed doctrines but as provocative, productive, often contradictory contributions to crucial debates that were to overturn critical thinking about film.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49782884663569,"sku":"CIN0674090616G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50000384557329,"sku":"GOR004315706","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50712978096401,"sku":"GOR010296861","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51005439410449,"sku":"NIN9780674090613","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52104505295121,"sku":"CIN0674090616VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0674090616.jpg?v=1750880193"},{"product_id":"hitchcock-book-william-rothman-9780674404113","title":"Hitchcock","description":"First published in 1982, William Rothman's \u003ci\u003eHitchcock\u003c\/i\u003e is a classic work of film criticism. Written in an engaging style that is philosophically sophisticated yet free of jargon, and using over nine hundred images from the films to illustrate and back up its critical claims, the book follows six different Hitchcock films as they unfold, moment by moment, from first shot to last. \u003cp\u003e\u003c\/p\u003eIn addition to a thoughtful new preface and the original readings of \u003ci\u003eThe Lodger\u003c\/i\u003e (1927), \u003ci\u003eMurder \u003c\/i\u003e (1930), \u003ci\u003eThe 39 Steps\u003c\/i\u003e (1935), \u003ci\u003eShadow of a Doubt\u003c\/i\u003e (1943), and \u003ci\u003ePsycho\u003c\/i\u003e (1960), this expanded edition includes a groundbreaking new chapter--now the book's longest--on \u003ci\u003eMarnie\u003c\/i\u003e (1964), Hitchcock's most heartfelt yet most controversial film. Hitchcock never tired of quoting Oscar Wilde's line, And all men kill the thing they love. Dark moods therefore prevail in the five original chapters, culminating in the reading of \u003ci\u003ePsycho\u003c\/i\u003e, but in demonstrating how \u003ci\u003eMarnie\u003c\/i\u003e overcomes, or transcends, the murderous aspect of Hitchcock's art, this new chapter balances the scales and gives an important new dimension to the book. \u003cp\u003e\u003c\/p\u003eWith exemplary precision, \u003ci\u003eHitchcock, Second Edition\u003c\/i\u003e shows how Hitchcock films express, cinematically, serious thoughts about such matters as the nature and relationships of love, murder, sexuality, marriage, and theater--and about their own medium. In so doing, it keeps faith with the idea that Hitchcock was a master, perhaps \u003ci\u003ethe\u003c\/i\u003e master, of what he called the art of pure cinema. However, insofar as it investigates philosophically the \u003ci\u003econditions\u003c\/i\u003e of authorship in the medium of film, it is an auteurist study unlike any other. By attending to the films themselves and to the ways we experience them, rather than allowing some theory to dictate what to say about them, the book proves the fruitfulness of an approach that is open and responsive to the ways serious films are capable of teaching us how to think seriously about them.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49892459282705,"sku":"CIN0674404114G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50010396164369,"sku":"GOR002069956","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50270521688337,"sku":"CIN0674404114VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":52104591868177,"sku":"CIN0674404114A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0674404114.jpg?v=1750880235"},{"product_id":"making-meaning-book-david-bordwell-9780674543362","title":"Making Meaning","description":"David Bordwell’s new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve.  Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques—a point that has broad-ranging implications for the way critics practice their art. 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Edward Baron Turk discloses the incongruities between the director’s aesthetic of poetic realism and his professed leftist sympathies; he situates Carné’s questionable stance and activities during the Occupation within the broader context of an artist’s ethical responsibilities in times of war; and he examines the ramifications of Carné’s censure during the postwar purges for the director’s subsequent fortunes. Turk’s use of the psychoanalytic concepts of androgyny, masochism, fetishism, and primal scene allows us to understand more clearly how Carné thought and worked. Turk also addresses the representations and maskings of homosexuality in Carné’s films and the extent to which they have colored film history’s often ambivalent assessments of the director. The centerpiece of the book is an extended analysis of what is arguably the most famous and beloved of all French films, Les Enfants du paradis, scripted by the poet-screenwriter Jacques Prévert.       The book draws on unpublished correspondence from, among others, Jean Cocteau, François Truffaut, and Simone Signoret, and on interviews by the author with Arletty, Jean-Louis Barrault, Mme. Jacques Prévert, Pierre Prévert, Claude Renoir, Alexander Trauner, Truffaut, and Carné himself. This portrait of Carné thus becomes the portrait of an age, a great age in the history of French cinema, albeit a tragic age in the history of France.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53007039430929,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":53007039987985,"sku":"NLS9780674865594","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780674865594.jpg?v=1767899377"}],"url":"https:\/\/www.worldofbooks.com\/en-au\/collections\/harvard-film-studies-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}