{"title":"Hugh Maclennan Poetry Series","description":"\u003cp\u003eDive into the evocative verses of the Hugh MacLennan Poetry Series. Exploring themes of identity, landscape, and the human condition, these collections offer a profound and moving reading experience. Discover poetry that resonates.\u003c\/p\u003e","products":[{"product_id":"field-guide-to-the-lost-flower-of-crete-book-eleonore-schnmaier-9780228005810","title":"Field Guide to the Lost Flower of Crete","description":"Thyme clings, high \/ and away from the grazing and scents \/ the air.  Island reality is interconnected with live-retrieved memories in which a nurse follows a violent patient into the northern Canadian bush, a migrant mother faces her new job as the village butcher, an Ojibway man is forced to walk a dangerous route home alone, teenagers loot the local dump to build their mother's wheelchair, and an electrician watches a woman play a grand piano on a ballfield.  A (re)creation of the surreality and altered time within deep states of grieving, Field Guide to the Lost Flower of Crete juxtaposes sorrow with fragmentary unapologetic joy. Eleonore Schönmaier forges compelling symphonic resonances between European musical encounters and a northern working-class childhood. By centring her experiential empathy on a history of racism and poverty, she guides us into better ways of being. Intimate reflections are contrasted with geopolitical and environmental concerns as Schönmaier's fierce intelligence focuses on what is most essential in our lives.  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Reflecting the moment-to-moment ways our minds think, these poems take us from a creative process of disconnection and reassembly to a sonic pacing of words arising out of their stillness on the page. 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The Tantramar Re-Vision charts routes of discovery as it follows trails, waterways, flights, and fears, be it through the woods, the wilds, the page, or the mind where \"it's hard to admit \/ you are not to your taste.\" It questions an existence in which the inhuman thrives, ignorant of divinity, while the human psyche continues to search for answers as \"life takes directions \/ away from\" it. 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Danielle Janess's debut poetry collection resists the erasing effects of war, nationalism, and forced migration. Following the speaker's arduous relocation to a twenty-first-century Europe still etched with the wounds of the past, the poems take on daring forms and language, becoming theatre, film clips, photographs, and dance, all embodied by a cast of characters marked by the violence of the last century. Arrested in Warsaw within the first twenty days of the Second World War, Janess's maternal grandfather was sent to a Soviet gulag where he survived for three years before joining the Free Polish Army in Russia and later the battle of Monte Cassino in the Italian Campaign. Many of the poems in The Milk of Amnesia grow from the soil of Warsaw and Berlin, where the poet-speaker catapults herself and her young child in an effort to locate and unearth their family inheritance. 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They take us to construction sites, meadows, waiting rooms, beaches, alleys, gardens, and frozen rivers, from Montreal to Hornby Island. They ask us to live in the moment, despite the moment. Including a spirited long poem that riffs on the fairy tale “Three Billy Goats Gruff,” these poems are like old friends that at once console and confess. They blow kisses, they remember, and they celebrate the broken and the lost alongside the beautiful.  At turns frank, peevish, introspective, and mischievous, the poems share sincere and intimate perspectives on the changing female body, our natural and built landscapes, and the idiosyncrasies of modern life. 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Deeply inspired by her Acadian upbringing along the ocean shores of New Brunswick, these are poems populated by aerialists, painters, and the spirit of Charles Baudelaire, who connects the poet to “the ligatures of life.” Those ligatures in turn connect her with family in the collection’s remarkable title suite, bringing new life to a past that continues to resonate in the present.  Without Beginning or End is a book about love, friendship, art, and the human condition. 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People-less. Days, months of this \/ hiss, softness breaking cliffs.”  Cynthia Woodman Kerkham ponders the urgent question, What does water want? Whether as the body of a beloved lake, where people wrestle with the concerns of stewardship, or as the sea in which to sail and drift, or as a gene pool simmering through a family’s veins, water is the main character here. It can be turbid, the amniotic colour of spittle, or, in a time of drought, “brilliant beads.” As “a stream flushed over granite,” water seems to want “so little it shares another’s colour,” yet here, it gets our full and necessary attention.  Rich with vibrant language and intensity, these poems sizzle in lyric form, monologues, elegy, and haibun. 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Poems can be journeys of repair and recovery, adventure and discovery. However, even in pandemic times when our journeying is curtailed, or at least confined, when we are abiding in one physical location with chafing and restiveness, we are still travelling. One of those journeys is discovering where language can take us.  Maureen Hynes’s poems travel through cities and their outskirts to rivers, forests, and graveyards. They travel in time into the troubled present, across decades into early childhood, and into our perilous collective futures, seeking guides for these explorations. The title poem addresses the search for tools and instruments that will “ward off adversity” – tools to help us move forward to our chosen destinations. 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