{"title":"October Files","description":"\u003cp\u003eDive into the gritty, supernatural world of the October Files, where magic and murder collide in the heart of London. Perfect for fans of Ben Aaronovitch and urban fantasy with a twist.\u003c\/p\u003e","products":[{"product_id":"roy-lichtenstein-book-graham-bader-9780262512312","title":"Roy Lichtenstein","description":"\u003cb\u003eThe most comprehensive collection on Lichtenstein, from the earliest reviews to recent reassessments, including several hard-to-find and previously unpublished pieces.\u003c\/b\u003e\u003cp\u003eRoy Lichtenstein's popular appeal--and his influence on pop culture, seen in everything from greeting cards to sitcoms--at times overshadows his importance to contemporary art. Yet, examined on its own terms, Lichtenstein's comics-inspired, deadpan artwork remains as truly unsettling to art-world orthodoxies today as when it first gained wide attention in the early 1960s. Lichtenstein (1923-1997), a central figure in Pop, consistently savaged the rules of painting--while remaining committed to the most traditional procedures and goals of the medium. (He once said, The things that I have apparently parodied I actually admire and I really don't know what the implication of that is.) This book offers the most comprehensive collection of writings on Lichtenstein's work to appear in thirty-five years, with early reviews, artist interviews and statements (some never before published), and recent reassessments. The book includes Donald Judd's reviews of Lichtenstein's three solo Pop shows in the early 1960s, an essay on the artist's 1969 Guggenheim retrospective, interviews that touch on topics ranging from the New York art world to Monet and Matisse, the transcript of a 1995 slide presentation in which Lichtenstein surveyed three decades of his work, and an in-depth study of Lichtenstein's first Pop painting, Look Mickey (1961). The texts explore Lichtenstein's career across the boundaries of medium and period, excavating early critical discussions and surveying more recent reexaminations of his artistic practice. The collection will be an indispensable resource for those interested in Lichtenstein, Pop Art, and American culture of the 1960s. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eContributors\u003cbr\u003e\u003c\/b\u003eGraham Bader, Yve-Alain Bois, John Coplans, David Deitcher, Hal Foster, John Jones, Donald Judd, Max Kozloff, Jean-Claude Lebensztejn, Roy Lichtenstein, Michael Lobel\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49531121172753,"sku":"GOR008082386","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50574902984977,"sku":"CIN0262512319VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52402721882385,"sku":"NLS9780262512312","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262512319.jpg?v=1751432766"},{"product_id":"mary-kelly-book-mignon-nixon-9780262529327","title":"Mary Kelly","description":"\u003cb\u003eEssays and interviews that span Mary Kelly's career highlight the artist's sustained engagement with feminism and feminist history.\u003c\/b\u003e\u003cp\u003eWhen Mary Kelly's best-known work, \u003ci\u003ePost-Partum Document\u003c\/i\u003e (1973-1979), was shown at the Institute of Contemporary Art in London in 1976, it caused a sensation--an unexpected response to an intellectually demanding and aesthetically restrained installation of conceptual art. The reception signaled resistance to the work's interrogation of feminine identity and the cultural mythologizing of motherhood. This volume of essays and interviews begins with this foundational work, offering an early statement by the artist, a subsequent interview, and an essay situating the work within a broader broader discourse of art and social purpose in the early 1970s. Throughout, the collection addresses such themes as labor, war, trauma, and the politics of care, while emphasizing the artist's sustained engagement with histories of feminism and generations of feminists.\u003c\/p\u003e\u003cp\u003eThe contributions also consider such specific works as Kelly's \u003ci\u003eInterim \u003c\/i\u003e(1984-1989), the subject of a special issue of \u003ci\u003eOctober\u003c\/i\u003e; \u003ci\u003eGloria Patri\u003c\/i\u003e (1992), an installation conceived in response to the first Gulf War; \u003ci\u003eThe Ballad of Kastriot Rexhepi\u003c\/i\u003e (2001), an extensive project including a 200-foot narrative executed in the medium of compressed lint and the performance of a musical score by Michael Nyman; and two recent works, \u003ci\u003eLove Songs\u003c\/i\u003e (2005-2007), which explores the role of memory in feminist politics, and \u003ci\u003eMimus\u003c\/i\u003e (2012), a triptych that parodies the House Un-American Activities Committee's 1962 investigation of the pacifist group, Women Strike for Peace.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eEssays and Interviews by \u003cbr\u003e\u003c\/b\u003eParveen Adams, Emily Apter, Rosalyn Deutsche, Hal Foster, Margaret Iversen, Mary Kelly, Helen Molesworth, Laura Mulvey, Mignon Nixon, Griselda Pollock, Paul Smith\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49727440552209,"sku":"NGR9780262529327","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50454297280785,"sku":"CIN0262529327VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52657608327441,"sku":"NLS9780262529327","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53006655389969,"sku":"GOR009354134","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262529327.jpg?v=1751389110"},{"product_id":"richard-hamilton-book-hal-foster-9780262513722","title":"Richard Hamilton","description":"\u003cb\u003eEssays and articles about Richard Hamiton, the intellectual father of Pop art.\u003c\/b\u003e\u003cp\u003eStill little-known in the United States, Richard Hamilton is a key figure in twentieth-century art. An original member of the legendary Independent Group in London in the 1950s, Hamilton organized or participated in groundbreaking exhibitions associated with the group--in particular This Is Tomorrow (1956), for which his celebrated collage Just what is it that makes today's homes so different, so appealing?, crystallizing the postwar world of consumer capitalism, was made. With his colleagues in the Independent Group, Hamilton promoted the artistic investigation of popular culture, undertaking this analysis in paintings, prints, and texts, thus setting the stage for Pop art--indeed, he is often called the intellectual father of Pop. At the same time, Hamilton was crucial to the postwar reception of Marcel Duchamp, transcribing his notes for The Large Glass and producing a reconstruction of this epochal piece for the first Duchamp retrospective in Britain, in 1966. Over the years Hamilton has continued to develop his work, in a variety of media, on subjects ranging from the Rolling Stones to the Troubles in Northern Ireland, from new commodities and technologies to the oldest genres in Western painting. True to the mission of the October Files series, this volume collects the most telling essays on Hamilton (including several hard-to-find texts by the artist), spanning the entire range of his extraordinary career.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49728158892305,"sku":"NGR9780262513722","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50453228781841,"sku":"CIN0262513722VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53262449639697,"sku":"GOR008713400","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262513722.jpg?v=1751227581"},{"product_id":"isa-genzken-book-lisa-lee-9780262527118","title":"Isa Genzken","description":"\u003cb\u003eGenerously illustrated essays consider Isa Genzken's remarkable body of work, from her early elegant floor pieces to her later explosive assemblages.\u003c\/b\u003e\u003cp\u003eSince the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a \u003ci\u003eNew York Times\u003c\/i\u003e critic observes, are brash, improvisational, full of searing color and attitude. Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present.\u003c\/p\u003e\u003cp\u003eThese illustrated essays address the full span of Genzken's work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eContributors \u003cbr\u003e\u003c\/b\u003eYve-Alain Bois, Benjamin H. D. Buchloh, Diedrich Diederichsen, Hal Foster, Isa Genzken, Isabelle Graw, Lisa Lee, Pamela M. Lee, Birgit Pelzer, Juliane Rebentisch, Josef Strau, Wolfgang Tillmans, Lawrence Weiner\u003c\/p\u003e\u003cp\u003e\u003cb\u003eContents \u003cbr\u003e\u003c\/b\u003eIsa Genzken: Two Exercises (1974) - Birgit Pelzer: Axiomatics Subject to Withdrawal (1979) - Benjamin H. D. Buchloh: Isa Genzken: The Fragment as Model (1992) - Benjamin H. D. Buchloh: Isa Genzken: Fuck the Bauhaus. Architecture, Design, and Photography in Reverse (2014) - Isa Genzken: Sketches for a Feature Film (1993) - Isabelle Graw: Free to Be Dependent: Concessions in the Work of Isa Genzken (1996) - Diedrich Diederichsen: Subjects at the End of the Flagpole (2000) - Pamela M. Lee: The Skyscraper at Ear Level (2003) - Benjamin H. D. 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Her photographs depict art in the collector's home, the museum, the auction house, and the commercial gallery, on loading docks, and in storage closets. Her work offers a sustained meditation on the strategies of display that shape art's reception and distribution. The cumulative effect of Lawler's photographs is a silent insistence that context is the primary shaper of art's meaning. Informed by feminism and institutional critique, Lawler's witty, poignant, and trenchant photos frequently pay attention to a host of overlooked details--almost Freudian slips--that ineffably and tacitly shore up what we conventionally think of as art's \"power.\"\u003c\/p\u003e \u003cp\u003eThis book includes the earliest published text on Lawler's work; an examination of her ephemera (Lawler produced, among other things, matchbooks and paperweights); a rare interview with the artist, conducted by Douglas Crimp; a conversation between George Baker and Andrea Fraser on Lawler's work; and essays by writers including Rosalind Krauss, Rosalyn Deutsche, and Helen Molesworth, the volume's editor. The book traces the changing reception of Lawler's work from early preoccupations with appropriation to later discussions of affect.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49728754286865,"sku":"NGR9780262518352","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50133270626577,"sku":"CIN026251835XG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50899480543505,"sku":"GOR012059476","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/026251835X.jpg?v=1750909277"},{"product_id":"william-kentridge-book-rosalind-krauss-9780262533454","title":"William Kentridge","description":"\u003cb\u003eCritical texts and interviews that explore the drawings, animations, and theatrical work of the South African artist William Kentridge.\u003c\/b\u003e\u003cp\u003eSince the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge's artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works.\u003c\/p\u003e\u003cp\u003eThe texts include an interview by the artist Carolyn Christov-Bakargiev, curator of the first major retrospective of Kentridge's work; an essay by Andreas Huyssen on the role of shadow-play in Kentridge's film series \u003ci\u003e9 Drawing for Projection\u003c\/i\u003e; and investigations of Kentridge's work for opera and theater by Maria Gough, Joseph Leo Koerner, and Margaret Koster Koerner. An analysis by influential art historian Rosalind Krauss, the editor of this volume, argues that Kentridge's films are the result of a particularly reflexive drawing practice in which the marks on the page--particularly the smudges, smears, and erasures that characterize his stop-animations--define the act of drawing as a temporal medium. 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Since the 1980s, Weems (b. 1953) has challenged the status of the black female body within the complex social fabric of American society. Her photographic work, film, and performance investigate spaces that range from the American kitchen table to the nineteenth-century world of historically black Hampton University to the ancient landscapes of Rome.   These texts consider the underpinnings of photographic history in Weems's work, focusing on such early works as The Kitchen Table series; Weems's engagement with photographic archives, historical spaces, and the conceptual legacy of art history; and the relationship between her work and its institutional venues. The book makes clear not only the importance of Weems's work but also the necessity for an expanded set of concerns in contemporary art—one in which race does not restrict a discussion of aesthetics, as it has in the past, robbing black artists of a full consideration of their work.  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Beginning in the 1960s, he developed new ideas about art--in both his works and writings--that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as specific objects. Critics labeled it minimalism. Perhaps because Judd's own critical writings provide a discursive framework for his work, some of the monographic essays on his work are not widely known. 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This book captures that evolution.\u003c\/p\u003e\u003cp\u003eThe texts include discussions of Cage's work in the context of the New Music scene in Germany in the 1950s; Yvonne Rainer's essay looking back on Cage and New York experimentalism of the 1960s; a complex and original mapping of Cage's place in a wider avant-garde genealogy that includes Le Corbusier and Moholy-Nagy; a musicologist's account of Cage's process of defining and formalizing his concept of indeterminacy; and an analysis of Cage's project that considers his strategies of self-representation as key to his unique impact on modern and postmodern art.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53073252876561,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":53073253007633,"sku":"CIN0262516306G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780262516303.jpg?v=1769638975"}],"url":"https:\/\/www.worldofbooks.com\/en-au\/collections\/october-files-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}