{"title":"Perspectives On Fantasy","description":"\u003cp\u003eDelve into fantasy like never before with our curated 'Perspectives On Fantasy' collection. Explore novels that challenge conventions, redefine magic, and offer fresh takes on beloved tropes. 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Bringing together both highly-acclaimed works with those that have received less critical attention, including French and Gaelic fantasy literature, \u003ci\u003eImagining the Celtic Past in Modern Fantasy\u003c\/i\u003e explores such texts as Susanna Clarke’s \u003ci\u003eJonathan Strange \u0026amp; Mr Norrell\u003c\/i\u003e, Alan Garner's \u003ci\u003eWeirdstone \u003c\/i\u003etrilogy, the Irish fantasies of Jodi McIsaac, David Gemmell's \u003ci\u003eRigante \u003c\/i\u003enovels, Patricia Kennealy-Morrison \u003ci\u003eKeltiad \u003c\/i\u003ebooks, as well as \u003ci\u003eAn Sgoil Dhubh\u003c\/i\u003e by Iain F. MacLeòid and the \u003ci\u003eVertigen \u003c\/i\u003eand \u003ci\u003eFrontier \u003c\/i\u003eseries by Léa Silhol. 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Focusing extensively upon major works such as The House on the Borderland (1908) and The Night Land (1912), Timothy S. Murphy surveys topics including Hodgson’s experiments with code switching and linguistic experimentation; his depictions of racial and ethnic differences and gender and sexuality; the function of space and place in his writing; the adaptation of his shipboard experiences; and his use of abyssal time. With special attention paid to his paradoxical nihilist humanism, this book explores what made Hodgson a respected precursor to later innovators such as H. P. Lovecraft and C.L. Moore, and what makes him an important ancestor to 21st-century writers such as China Miéville, Greg Bear, and Charlie Jane Anders.   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