{"title":"Perspectives On Sensory History","description":"\u003cp\u003eDelve into 'Perspectives on Sensory History' and discover how our senses shape our understanding of the past. Explore fascinating insights into the cultural and social significance of smell, touch, and taste.\u003c\/p\u003e","products":[{"product_id":"sensory-history-manifesto-book-mark-m-smith-9780271090184","title":"A Sensory History Manifesto","description":"\u003cp\u003e\u003ci\u003eA Sensory History Manifesto\u003c\/i\u003e is a brief and timely meditation on the state of the field. It invites historians who are unfamiliar with sensory history to adopt some of its insights and practices, and it urges current practitioners to think in new ways about writing histories of the senses.\u003c\/p\u003e\u003cp\u003eStarting from the premise that the sensorium is a historical formation, Mark M. Smith traces the origins of historical work on the senses long before the emergence of the field now called “sensory history,” interrogating, exploring, and in some cases recovering pioneering work on the topic. Smith argues that we are at an important moment in the writing of the history of the senses, and he explains the potential that this field holds for the study of history generally. In addition to highlighting the strengths of current work in sensory history, Smith also identifies some of its shortcomings. If sensory history provides historians of all persuasions, times, and places a useful and incisive way to write about the past, it also challenges current practitioners to think more carefully about the historicity of the senses and the desirability—even the urgency—of engaged and sustained debate among themselves. In this way, \u003ci\u003eA Sensory History Manifesto\u003c\/i\u003e invites scholars to think about how their field needs to evolve if the real interpretive dividends of sensory history are to be realized.\u003c\/p\u003e\u003cp\u003eConcise and convincing, \u003ci\u003eA Sensory History Manifesto\u003c\/i\u003e is a must-read for historians of all specializations.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49739508515089,"sku":"NGR9780271090184","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":54684387377425,"sku":"NLS9780271090184","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0271090189.jpg?v=1786111173"},{"product_id":"scented-visions-book-christina-bradstreet-9780271092522","title":"Scented Visions","description":"\u003cp\u003eSmell loomed large in cultural discourse in the late nineteenth century, thanks to the midcentury fear of miasma, the drive for sanitation reform, and the rise in artificial perfumery. Meanwhile, the science of olfaction remained largely mysterious, prompting an impulse to “see smell” and inspiring some artists to picture scent in order to better know and control it. This book recovers the substantive role of the olfactory in Pre-Raphaelite art and Aestheticism.\u003c\/p\u003e\u003cp\u003eChristina Bradstreet examines the iconography and symbolism of scent in nineteenth-century art and visual culture. Fragrant imagery in the work of John Everett Millais, Dante Gabriel Rossetti, Simeon Solomon, George Frederic Watts, Edward Burne-Jones, and others set the trend for the preoccupation with scent that informed swaths of British, European, and American art and design. Bradstreet’s rich analyses of paintings, perfume posters, and other works of visual culture demonstrate how artworks mirrored the “period nose” and intersected with the most clamorous debates of the day, including evolution, civilization, race, urban morality, mental health, faith, and the “woman question.”\u003c\/p\u003e\u003cp\u003eBeautifully illustrated and grounded in current practices in sensory history, \u003ci\u003eScented Visions \u003c\/i\u003epresents both fresh readings of major works of art and a deeper understanding of the cultural history of nineteenth-century scent.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49746186043665,"sku":"NGR9780271092522","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51912549761297,"sku":"GOR014458259","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":53724539388177,"sku":"NIN9780271092522","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0271092521.jpg?v=1786615813"},{"product_id":"stigma-book-katherine-dauge-roth-9780271094434","title":"Stigma","description":"Investigates the intersecting histories of tattooing, branding, stigmata, baptismal and beauty marks, and the wounds and scars borne by early modern men and women. 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Part 2 documents how the senses have been disciplined psychologically within the Western tradition, starting with Aristotle and moving through the rise of Lockean empiricism and cognitive neuroscience. Here, Howes presents an anthropologically informed critique of experimental and cognitive psychology, sensory science, and phenomenology. In part 3, he introduces the paradigm of the “historical anthropology of the senses and sensation” and applies it to the analysis of trade relations between Europe and China in the early modern period, to the treaty-making process in North America during the colonial period, and to all the unresolved disputes over land rights and Indigenous sovereignty that continue to this day, arguing that these differences are rooted in a cultural clash of sensoria.\u003c\/p\u003e\u003cp\u003eDesigned for the classroom, \u003ci\u003eSensorial Investigations \u003c\/i\u003edisplays an expansive critical engagement with generations of scholarship. 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Yet in an age when experience is so intensely mediated by visual records, the centuries-old realization that knowledge gained through sight is inherently fallible takes on troubling new dimensions. This book considers the ways in which seeing, over time, has become the foundation for knowing (or at least for what we think we know). \u003c\/p\u003e\u003cp\u003eA. Joan Saab examines the scientific and socially constructed aspects of seeing in order to delineate a genealogy of visuality from the Renaissance to the present, demonstrating that what we see and how we see it are often historically situated and culturally constructed. Through a series of linked case studies that highlight moments of seeming disconnect between seeing and believing—hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, to name just a few—she interrogates the relationship between “visions” and visuality. This focus on the strange and the wonderful in understanding changing notions of visions and visual culture is a compelling entry point into the increasingly urgent topic of technologically enhanced representations of reality.\u003c\/p\u003e\u003cp\u003eAccessibly written and thoroughly enlightening, \u003ci\u003eObjects of Vision\u003c\/i\u003e is a concise history of the connections between seeing and knowing that will appeal to students and teachers of visual studies and sensory, social, and cultural history.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50477269680401,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50477269942545,"sku":"NGR9780271088112","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":53181236805905,"sku":"NLS9780271088112","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0271088117.jpg?v=1786109659"},{"product_id":"sensory-warfare-in-the-global-cold-war-book-bodo-mrozek-9780271097404","title":"Sensory Warfare in the Global Cold War","description":"\u003cp\u003eThe longest political conflict of the twentieth century, the Cold War, was carried out on the human senses—and through them. 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Case studies highlight the role of taste in Western food deliveries to Eastern Europe; olfaction in Poland, at the Iron Curtain, and in the Vietnam War; sonic warfare in Berlin, in Romania, and at the China-Taiwan “aquatic frontier”; vision in the Maoist Cultural Revolution, Spain, and the Soviet-Afghan war; haptics in the German military; and drugs, pain, and sensory deprivation in intelligence operations in both Hungary and the United States. In its wide-ranging treatment, this volume offers an illuminating new perspective on the Cold War and deepens our understanding of the sensory aspects of current and future conflicts. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eSensory Warfare in the Global Cold War \u003c\/i\u003ewill be of interest to students and scholars of sensory studies, Cold War studies, twentieth-century history, and military history. In addition to the editor, the contributors to this volume include Cyril Cordoba, Mark Fenemore, Walter E. 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This innovative multidisciplinary volume critically examines olfaction in Asian societies with the goal of unlocking its full potential as an analytical frame and lived phenomenon.\u003c\/p\u003e\u003cp\u003eFeaturing contributions from international scholars with deep knowledge of the region, this volume conceptualizes Asia and its borders as a dynamic, transnationally connected space of olfactory exchange. Using examples such as trade along the Silk Road; the diffusion of dharmic religious traditions out of South Asia; the waves of invasion, colonization, and forced relocation that shaped the history of the continent; and other “sensory highways” of contact, the contributors break down essentializing olfactory tropes and reveal how scent functions as a category of social and moral boundary-marking and boundary-breaching within, between, and beyond Asian societies. Smell shapes individual, collective, and state-based memory, as well as discourses about heritage and power. 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It invites historians who are unfamiliar with sensory history to adopt some of its insights and practices, and it urges current practitioners to think in new ways about writing histories of the senses.\u003c\/p\u003e\u003cp\u003eStarting from the premise that the sensorium is a historical formation, Mark M. Smith traces the origins of historical work on the senses long before the emergence of the field now called “sensory history,” interrogating, exploring, and in some cases recovering pioneering work on the topic. Smith argues that we are at an important moment in the writing of the history of the senses, and he explains the potential that this field holds for the study of history generally. In addition to highlighting the strengths of current work in sensory history, Smith also identifies some of its shortcomings. If sensory history provides historians of all persuasions, times, and places a useful and incisive way to write about the past, it also challenges current practitioners to think more carefully about the historicity of the senses and the desirability—even the urgency—of engaged and sustained debate among themselves. 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This book traces how social actors, including the Lyndon B. Johnson administration, the magazine \u003ci\u003eLook\u003c\/i\u003e, and grassroots activists, used images to influence public perception. Katharina Fackler argues that social documentary photography was revitalized, remodeled, and contested in the process. As Cold War geopolitics and the Civil Rights Movement reshaped ideas of democracy, photographs raised urgent questions: Who could portray poverty? Whose suffering would be visible? And to whose sensibilities should such images appeal?\u003c\/p\u003e\u003cp\u003eBy analyzing photographs within their social and sensory contexts, \u003ci\u003ePicturing the Poor\u003c\/i\u003e reveals how images mediated the politics of poverty, navigating racialized, gendered, and classed habits of feeling while making ambivalent interventions in debates over social justice. 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