{"title":"Semiotext Foreign Agents Ser","description":null,"products":[{"product_id":"cinema-house-and-the-world-book-serge-daney-9781635901610","title":"The Cinema House and the World","description":"\u003cb\u003eThe writings of one of the greatest film critics of his generation on the auteur approach of the French New Wave to a more structural examination of film.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e One of the greatest film critics of his generation, Serge Daney wrote for \u003ci\u003eCahiers du Cinéma\u003c\/i\u003e before becoming a journalist for the daily newspaper \u003ci\u003eLibération\u003c\/i\u003e. The writings collected in this volume reflect Daney's evolving interests, from the auteur approach of the French New Wave to a more structural examination of film, psychoanalysis, and popular culture. Openly gay throughout his lifetime, Daney rarely wrote explicitly about homosexuality but his writings reflect a queer sensibility that would influence future generations. In regular intellectual exchanges with Gilles Deleuze, Félix Guattari, and Roland Barthes, Daney wrote about cinema autobiographically, while lyrically analyzing the transition from modern cinema to postmodern media. A noted polymath, Daney also published books about tennis and Haiti's notorious Duvalier regime. 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Disenfranchised revolutionaries (the Red Brigades, the Baader-Meinhof Gang) hoped to reach the masses directly through spectacular actions, but their message merely played into the hands of the media and the state. In a media society meaning has no meaning anymore; communication merely communicates itself. Jean Baudrillard uses this last outburst of ideological terrorism in Europe to showcase the end of the Social. Once invoked by Marx as the motor of history, the masses no longer have sociological reality. In the electronic media society, all the masses can do--and all they will do--is enjoy the spectacle. \u003ci\u003eIn the Shadow of the Silent Majorities\u003c\/i\u003e takes to its ultimate conclusion the end of ideologies experienced in Europe after the Soviet invasion of Hungary and the death of revolutionary illusions after May 1968. Ideological terrorism doesn't represent anything anymore, writes Baudrillard, not even itself. It is just the last hysterical reaction to discredited political illusions.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49610974069009,"sku":"GOR001877714","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51855594389777,"sku":"GOR004005701","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":52106072850705,"sku":"CIN0936756004G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0936756004.jpg?v=1750748286"},{"product_id":"human-strike-and-the-art-of-creating-freedom-book-clare-fontaine-9781635901368","title":"Human Strike and the Art of Creating Freedom","description":"\u003cb\u003eThe first English-language publication of writings by the collective artist Claire Fontaine, addressing our complicity with anything that limits our freedom.\u003c\/b\u003e \u003cp\u003eThis anthology presents, in chronological order, all the texts by collective artist Claire Fontaine from 2004 to today. Created in 2004 in Paris by James Thornhill and Fulvia Carnevale, the collective artist Clare Fontaine creates texts that are as as experimental and politically charged as her visual practice. In. these writings, she uses the concept of \"human strike\" and adopts the radical feminist position that can be found in \u003ci\u003eTiqqun\u003c\/i\u003e, a two-issue magazine cofounded by Carnevale.\u003c\/p\u003e \u003cp\u003eHuman strike is a movement that is broader and more radical than any general strike. It addresses our inevitable subjective complicity with everything that limits our freedom and shows how to abandon these self-destructive behaviors through desubjectivization. Human strike, Claire Fontaine writes, is a subjective struggle to separate from the inevitable harm we do to ourselves and others simply by living within postindustrial neoliberalism. \u003ci\u003eHuman Strike\u003c\/i\u003e is the first English-language publication of Claire Fontaine's influential and important theoretical writings.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49622460039441,"sku":"GOR011412211","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49739476042001,"sku":"NGR9781635901368","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1635901367.jpg?v=1751426201"},{"product_id":"footlights-book-serge-daney-9781635901986","title":"Footlights","description":"\u003cb\u003eThe early essays of the most influential French film critic of the post-68 period.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ci\u003eThe Footlights\u003c\/i\u003e (1983) was the first book by Serge Daney, a film critic admired in his lifetime by Gilles Deleuze and Jean-Luc Godard and recognized since his premature death in 1992 as the most important French writer on film after André Bazin. \u003ci\u003eThe Footlights\u003c\/i\u003e stands apart in Daney's body of work as the only collection of his essays he conceived of as a book, organizing his seminal pieces from \u003ci\u003eCahiers du Cinéma\u003c\/i\u003e by theme and linking them with original texts that reflect in a personal voice on the doubts, battles, and illuminations of a generation of film lovers inspired by the explorations of Lacanian theory and roused by the collective aspirations of Maoist dogma. 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