{"title":"Studies In American Literature And Culture","description":"\u003cp\u003eDelve into the diverse landscape of American identity through the Studies in American Literature and Culture series. Explore critical perspectives on iconic authors, movements, and the ever-evolving tapestry of the nation's literary heritage.\u003c\/p\u003e","products":[{"product_id":"paul-bowles-book-barry-charles-tharaud-9781640140806","title":"Paul Bowles","description":"Paul Bowles has often been considered a cult writer, a literary renegade: he lived more than fifty years as an expatriate in Morocco, and according to Norman Mailer, his works let in the murder, the drugs, the incest, the call ofthe orgy, the end of civilization. In recent decades Bowles has found greater acceptance as a serious writer, as evidenced by the two-volume, 2,000-page Library of America edition of his works published in 2002. Still, he has rarely if ever been seen as having written in the antinomian tradition of Emerson and his literary descendants. The present book makes the case for doing so by demonstrating basic Emersonian attitudes and objectives in Bowles' lifeand works, especially in his focus on human consciousness and perception and on the need for the individual to escape from the trammels of social and cultural conditioning. Bowles' intellectual pursuits seem to have developed at first from his own spontaneous attitudes, which were then reinforced by his conservative and individualistic New England background on both sides of his family and deepened by a serious study of anthropology, Emersonian transcendentalism, and related Oriental thought such as the theosophy of Krishnamurti. 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Its appearance in 1925 launched the full-fledged literary career of this century's most famous American fiction writer. And while other later works of Hemingway have eclipsed In Our Time's fame, none of Hemingway's subsequent works would again carry the degree of experimentation found in this distinctly modernist masterwork. Modernism and Tradition in Ernest Hemingway's In Our Time: A Guide for Students and Readers is a well-paced, lucidly written handbook intended to guide university students and teaching faculty towards a better understanding of this complex work. It provides a reading of each story and vignette, while simultaneously stressing the status of In Our Time as a discrete volume. Included are discussions of the book's biographical and historical background, and considerations of Hemingway's prose style, theories of writing, formal achievements, his literary mentors and influences, and the relation between In Our Time and his later works. Matthew C. Stewart is Associate Professor of Humanities and Rhetoric at Boston University.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51037870063889,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51037872521489,"sku":"NIN9781571134127","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52613590712593,"sku":"NLS9781571134127","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1571134123.jpg?v=1750991076"},{"product_id":"hemingway-and-africa-book-silvio-calabi-9781571139672","title":"Hemingway and Africa","description":"New scholarly essays providing a multifaceted approach to the role of Africa in Hemingway's life and work.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51037959094545,"sku":"NIN9781571139672","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52655744123153,"sku":"NLS9781571139672","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1571139672.jpg?v=1751181223"},{"product_id":"robert-lowell-in-a-new-century-book-philip-coleman-9781640140288","title":"Robert Lowell in a New Century","description":"New essays providing fresh insights into the great 20th-century American poet Lowell, his writings, and his struggles.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51041835188497,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51041838858513,"sku":"NIN9781640140288","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52485384601873,"sku":"NLS9781640140288","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/164014028X.jpg?v=1751215437"},{"product_id":"f-scott-fitzgerald-remembered-book-jackson-r-bryer-9781640140905","title":"F. Scott Fitzgerald Remembered","description":"Personal reminiscences of Fitzgerald - many previously unpublished - by those who knew him, allowing the reader to construct a composite biography.\n\n\nFitzgerald once wrote: \"There never was a good biography of a good novelist. There couldn't be. He is too many people if he's any good.\" Since his untimely death in 1940, Fitzgerald has been scrutinized in nine major biographies, each of which seeks to construct a single narrative that conveys the biographer's interpretation of Fitzgerald. In contrast, F. Scott Fitzgerald Remembered presents over sixty first-hand accounts of Fitzgerald, many of them previously unpublished, by those who knew him at all stages of his life - from his time as an adolescent in St. Paul and an undergraduate at Princeton through his meeting and marrying Zelda Sayre and his first successes, the high points and increasing dissipation of the 1920s in New York, Paris, and the Riviera and the 1930s in Baltimore and North Carolina, to his final years in Hollywood. \n\nThe guiding principle is not to provide a single interpretation of Fitzgerald's life but to present these accounts in all their variety and even contradiction, inviting the reader to form a biographical portrait based upon them. Making these reminiscences available to scholars, students, and fans of Fitzgerald is particularly timely given the centenary of the publication of The Great Gatsby in 2025.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51042425241873,"sku":"NIN9781640140905","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52686518550801,"sku":"NLS9781640140905","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1640140905.jpg?v=1751088664"},{"product_id":"critical-reception-of-flannery-o-connor-1952-2017-book-robert-c-evans-9781571139436","title":"The Critical Reception of Flannery O'Connor, 1952-2017","description":"Flannery O'Connor is one of the most widely read, discussed, and taught of all American authors. She is immensely popular with students, general readers, and literary critics. 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These critics were unwilling to accept the fact that the proletarian writer of the 1930s was a thing of the past, and that formally he had become much more experimental. In the 1960s, a second generation of critics such as Robert DeMott, Louis Owens, Mimi Gladstein and others, led by the Steinbeck Society's Tetsumaro Hayashi, began to show, if hardly adoringly, what the later Steinbeck was about. As the anniversaries of publication of the classic early works approached in the 1970s, there was a quantitative peaking of book-length criticism, accompanied by a spate of conferences in various worldwide venues. A number of anthologies of journal-published articles were published, including one edited by Professor Ditsky. The last two decades have seen new voices emerge, many going beyond close readings to apply contemporary critical methods to a writer increasingly seen as postmodernist. Steinbeck continues to stay ahead of his critics, Ditsky argues, and his readership continues to grow. This book charts the changing perceptions of his appeal will become a staple in university library collections. 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The volume is broken into sections dealing with: the composition, reception, and sources of Death in the Afternoon; cultural translation, cultural criticism, semiotics, and paratextual matters; and the issues of art, authorship, audience, and the literary legacy of Death in the Afternoon. The contributors to the volume, four men and seven women, lay to rest the stereotype of Hemingway as a macho writer whom women do not read; and their nationalities (British, Spanish, American, and Israeli) indicate that Death in the Afternoon, even as it focuses on a particular national art, discusses matters of universal concern. CONTRIBUTORS: Miriam B. Mandel, Robert W. Trogdon, Lisa Tyler, Linda Wagner-Martin, Peter Messent, Beatriz Penas Ibanez, Anthony Brand, Nancy Bredendick, Hilary Justice, Amy Vondrak, and Keneth Kinnamon. MIRIAM B. 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