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In Centrestage, theater scholar Ananda Lal presents a compelling collection of essays encompassing over thirty years of research, reflection, and firsthand engagement with performance. From the emergence of Indian drama in English in the mid-nineteenth century to the diverse and sometimes contentious plays of the twenty-first century, Lal explores a two-hundred-year trajectory of Indian and intercultural theater with clarity and insight. The first part of the volume examines Indian theater history, proceeding from the colonial era to the contemporary scene in Kolkata and current theater pedagogy in India. 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Part travelogue, part philosophical musing, part cultural excavation, Flying Yoginis is a meditation on art, power, devotion, and the subversive energy of women who step out of line. With wit and wonder, Sealy traces their transcontinental journey from lost temples near Kanchipuram to glass-walled galleries in Kansas City and Minneapolis—finding along the way unexpected kinship with rebels and visionaries, from Rosa Parks to Carson McCullers. 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