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This updated and expanded edition presents nineteen new essays by the field's leading scholars and practitioners as well as new critical introductions by editors Janelle G. Reinelt and Joseph R. Roach. Reflecting recent trends in performance studies, this revised edition now includes discussions of critical race theory, postcolonial studies, gender and sexualities, and mediatized cultures. The resulting volume is a unique and indispensable tool for critics, teachers, and students that paves the way for future scholarship. Janelle G. Reinelt is Professor of Theatre and Performance at the University of Warwick. Reinelt and Roach Joseph R. Roach is Charles C. and Dorathea S. 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The book presents a comparative survey of the major approaches to Western acting since the nineteenth century, their historical evolution, and their relationship to one another. Author Robert Gordon explores six categories of acting: realistic approaches to characterization (Stanislavski, Vakhtangov, Strasberg, Chekhov); the actor as a scenographic instrument (Appia, Craig, Meyerhold); improvisation and games (Copeau, Saint-Denis, Laban, Lecoq); political theater (Brecht, Boal); exploration of the self and other (Artaud, Grotowski); and performance as cultural exchange (Brook, Barba). The synthesis of these principal theories of dramatic performance in a single text offers practitioners the knowledge they need to contextualize their own practice within the wider field of performance, while encouraging theorists and scholars to be more sensitive to the material realities of artistic practice.\u003cbr\u003e\u003cbr\u003e“This analysis of major movements and figures from the early nineteenth century to the present is clear, thorough, and penetrating, and its scope across periods, countries, and styles is impressive.”\u003cbr\u003e --Xerxes Mehta, University of Maryland-Baltimore County\u003cbr\u003e\u003cbr\u003eRobert Gordon is Reader in Drama, Goldsmiths College, University of London.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49565197762833,"sku":"GOR005383688","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50220359319825,"sku":"CIN0472068873G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":54675853902097,"sku":"GOR015107616","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0472068873.jpg?v=1789469854"},{"product_id":"after-brecht-book-janelle-g-reinelt-9780472084081","title":"After Brecht","description":"\u003cp\u003e\u003ci\u003eAfter Brecht: British Epic Theater\u003c\/i\u003e is the first book to fully explore contemporary British drama in the light of the influence of German playwright Bertolt Brecht. Focusing on the work of Howard Brenton, Edward Bond, Caryl Churchill, David Hare, Trevor Griffiths, and John McGrath, the book examines Brechtian techniques and style within the work of each playwright, while highlighting the divergent development of each.\u003cbr\u003eThe book has been enriched by the author's in-depth conversations with the playwrights. The topics covered include contemporary politics and the theater, the National Theatre, the Royal Shakespeare Company, and such well-known fringe companies as Foco Novo, Joint Stock, Portable Theatre, and 7:84. Reinelt examines each playwright within an interpretive frame drawn from an application of Brecht's theories and practice to the historically specific situation of post-war British theater.\u003cbr\u003eThe book will appeal to those interested in the relationship between politics and art and contemporary European theater and its antecedents. \u003cbr\u003e\"\u003ci\u003eAfter Brecht\u003c\/i\u003e represents the best and most detailed engagement with the contemporary British theater scene to date.\" --Stanton B. Garner, Jr. \u003cbr\u003e\"This fine study . . . confronts issues that are important to all students and practitioners of the theater. Sensitive to the uniqueness of each of the playwrights in her study, Reinelt demonstrates that Brechtian theory can be modified in many ways by those who share the belief that 'politics and aesthetics are inseparably linked.'\" --Choice\u003cbr\u003eJanelle Reinelt is Chair of the Department of Dramatic Art and Dance, University of California-Davis. \u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49565632430353,"sku":"GOR006206274","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0472084089.jpg?v=1750911353"},{"product_id":"space-in-performance-book-gay-mcauley-9780472087693","title":"Space in Performance","description":"How real and imagined theatrical spaces and the relationships between them evoke meaning","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49569472741649,"sku":"GOR004166449","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49629559914769,"sku":"GOR003935533","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":49633817362705,"sku":"GOR010482438","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50956757336337,"sku":"CIN047208769XG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/047208769X.jpg?v=1786111768"},{"product_id":"staging-philosophy-book-david-krasner-9780472069507","title":"Staging Philosophy","description":"\u003cp\u003eThe fifteen original essays in \u003ci\u003eStaging Philosophy \u003c\/i\u003emake useful connections between the discipline of philosophy and the fields of theater and performance and use these insights to develop new theories about theater. Each of the contributors—leading scholars in the fields of performance and philosophy—breaks new ground, presents new arguments, and offers new theories that will pave the way for future scholarship.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eStaging Philosophy \u003c\/i\u003eraises issues of critical importance by providing case studies of various philosophical movements and schools of thought, including aesthetics, analytic philosophy, phenomenology, deconstruction, critical realism, and cognitive science. The essays, which are organized into three sections—history and method, presence, and reception—take up fundamental issues such as spectatorship, empathy, ethics, theater as literature, and the essence of live performance. While some essays challenge assertions made by critics and historians of theater and performance, others analyze the assumptions of manifestos that prescribe how practitioners should go about creating texts and performances. The first book to bridge the disciplines of theater and philosophy, \u003ci\u003eStaging Philosophy\u003c\/i\u003e will provoke, stimulate, engage, and ultimately bring theater to the foreground of intellectual inquiry while it inspires further philosophical investigation into theater and performance.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDavid Krasner\u003c\/b\u003e is Associate Professor of Theater Studies, African American Studies, and English at Yale University. His books include \u003ci\u003eA Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1920 \u003c\/i\u003eand \u003ci\u003eRenaissance, Parody, and Double Consciousness in African American Theatre, 1895-1910\u003c\/i\u003e. He is co-editor of the series Theater: Theory\/Text\/Performance.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDavid Z. Saltz\u003c\/b\u003e is Professor of Theatre Studies and Head of the Department of Theatre and Film Studies at the University of Georgia. 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Its case studies explore collective political action in Latin America, including the Zapatistas in the mid-’90s, protests during the 2001 Argentine economic crisis, the 2011 Chilean student movement, the 2014–2015 mobilizations for the disappeared Ayotzinapa students, and the 2018 transnational reproductive rights movement. The book analyzes uses of space, time, media communication, and corporeality in protests such as virtual sit-ins, flash mobs, scarfazos, and hashtag campaigns, arguing that these protests not only challenge hegemonic power but are also socially transformative. While other studies have focused either on digital activism or on street protests, \u003ci\u003ePerformance Constellations\u003c\/i\u003e shows that they are in fact integrally entwined. Zooming in on protest movements and art-activism in Mexico, Argentina, and Chile, and putting contemporary insurgent actions in dialogue with their historical precedents, the book demonstrates how, even in moments of extreme duress, social actors in Latin America have taken up public and virtual space to intervene politically and to contest dominant powers. \u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49729268416785,"sku":"NGR9780472074228","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0472074229.jpg?v=1751008036"},{"product_id":"critical-theory-and-performance-book-janelle-g-reinelt-9780472068869","title":"Critical Theory and Performance","description":"\u003cp\u003e\u003ci\u003eCritical Theory and Performance\u003c\/i\u003e presents a broad range of critical and theoretical methods and applies them to contemporary and historical performance genres—from stage plays, dance-dramas, performance art, cabaret, stand-up comedy, and jazz to circus, street theater, and shamanistic ritual. As the first comprehensive introduction to critical theory’s rich and diverse contributions to the study of drama, theater, and performance, the book has been highly influential for more than a decade in providing fertile ground for academic investigations in the lively field of performance studies.\u003c\/p\u003e\u003cp\u003eThis updated and expanded edition presents nineteen new essays by the field’s leading scholars and practitioners as well as new critical introductions by editors Janelle G. Reinelt and Joseph R. Roach. Reflecting recent trends in performance studies, this revised edition now includes discussions of critical race theory, postcolonial studies, gender and sexualities, and mediatized cultures. The resulting volume is a unique and indispensable tool for critics, teachers, and students that paves the way for future scholarship.\u003c\/p\u003e\u003cp\u003eJanelle G. Reinelt is Professor of Theatre and Performance at the University of Warwick. 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The critic Harold Bloom has included Kushner's play in his \"Western canon\" alongside Shakespeare and the Bible, and drama scholar John M. Clum has termed it \"a turning point in the history of gay drama, the history of American drama, and of American literary culture.\" While we might be somewhat wary of the instant canonization that such critical assessments confer, clearly Kushner's play is an important work, honored by the Pulitzer Prize, thought worthy of recognition on \"purely aesthetic\" grounds at the same time that it has been embraced--and occasionally rejected--for its politics. \u003cbr\u003e Kushner's play explicitly positions itself in the current American conflict over identity politics, yet also situates that debate in a broader historical context: the American history of McCarthyism, of immigration and the \"melting pot,\" of westward expansion, and of racist exploitation. Furthermore, the play enters into the politically volatile struggles of the AIDS crisis, struggles themselves interconnected with the politics of sexuality, gender, race, and class. \u003cbr\u003e The original essays in \u003ci\u003eApproaching the Millennium\u003c\/i\u003e explore the complexities of the play and situate it in its particular, conflicted historical moment. The contributors help us understand and appreciate the play as a literary work, as theatrical text, as popular cultural phenomenon, and as political reflection and intervention. Specific topics include how the play thematizes gender and sexuality, race and ethnicity; the postmodern incarnation of the Brechtian epic; AIDS and the landscape of American politics. The range of different international productions of \u003ci\u003eAngels in America\u003c\/i\u003e provides a rich basis for discussion of its production history, including the linguistic and cultural shifts required in its \"translation\" from one stage to the next. \u003cbr\u003e The last section of \u003ci\u003eApproaching the Millennium\u003c\/i\u003e includes interviews with Tony Kushner and other key creators and players involved in the original productions of \u003ci\u003eAngels\u003c\/i\u003e. The interviews explore issues raised earlier in the volume and dialogues between the creative artists who have shaped the play and the critics and \"theatricians\" engaged in responding to it. \u003cbr\u003e Contributors to this volume are Arnold Aronson, Art Borreca, Gregory W. Bredbeck, Michael Cadden, Nicholas de Jongh, Allen J. Frantzen, Stanton B. Garner, Deborah R. Geis, Martin Harries, Steven F. 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In moving the analysis of his work beyond the category of absurdist theater, Lamont reveals how the power of his plays resides in his synthesis of the political, psychological, and metaphysical.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":49802144547089,"sku":"CIN0472103105VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50353886658833,"sku":"CIN0472103105G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0472103105.jpg?v=1786615770"},{"product_id":"taking-it-to-the-streets-book-harry-justin-elam-9780472087686","title":"Taking It to the Streets","description":"The performances of Luis Valdez's El Teatro Campesino, the farmworkers' theater, and Amiri Baraka's (LeRoi Jones's) Black Revolutionary Theater (BRT) during the 1960s and 1970s, offer preeminent examples of social protest theater during a momentous and tumultuous historical juncture. The performances of these groups linked the political, the cultural, and the spiritual, while agitating against the dominant power structure and for the transformation of social and theatrical practices in the U.S. Founded during the Delano Grape Pickers' Strike and Black Power rebellions of the mid-1960s, both El Teatro and the BRT professed cultural pride and group unity as critical corollaries to self-determination and revolutionary social action. Taking It to the Streets compares the performance methodologies, theories, and practices of the two groups, highlighting their cross-cultural commonalties, and providing insights into the complex genre of social protest performance and its interchange with its audience. It examines the ways in which ritual can be seen to operate within the productions of El Teatro and the BRT, uniting audience and performers in subversive, celebratory protest by transforming spectators into active participants within the theater walls --and into revolutionary activists outside. During this critical historical period, these performances not only encouraged community empowerment, but they inculcated a spirit of collective faith and revolutionary optimism. Elam's critical reexamination and recontextualization of the ideologies and practices of El Teatro and the BRT aid in our understanding of contemporary manipulations of identity politics, as well as current strategies for racial representation and cultural resistance. \"A major contribution to our understanding of how social protest came to be so strong and how Black and Chicano theatre contributed to the synergy of those times.\" --Janelle Reinelt, University of California, Davis Harry J. 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