
Arabs, Politics, and Performance by Roaa Ali
This book is a ground-breaking collection on contemporary Arab theatre.
Through three sections discussing occupation and resistance, diaspora, migration, and refugees, and nationalism and belonging, this study provides nuanced responses to the contested points of intersection between Arab culture and the West, as well as many of the major concerns within contemporary Arab theatre. The collection draws together scholars from the Middle East, North Africa, Europe, and the United States who write about Arab theatre and the representation of Arabs on European and American stages. It introduces concerns in contemporary Arab theatre, the regions in which Arab theatre is performed, and the issues with representations of Arabs onstage.
This volume will be of great significance for those interested in expanding the range of global, postcolonial, African, Asian, or diasporic theatre that they study, teach, or stage.
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Critical Acting Pedagogy
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Grotowski, Women, and Contemporary Performance
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The Provocation of the Senses in Contemporary Theatre
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Actor Trainers on Acting
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Circus for Social Change
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1000 Ways to Ask Why
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D’Oyly Carte
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360 Circus
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Religion, Theatre, and Performance
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Movement Training for the Modern Actor
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The Theatre of Dreams and the 1989 Polish Breakthrough
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Polish Theatre after #MeToo
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The Obscene Humour and Political Satire in Shadow Theatre
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Reimagining Dance on Screen
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Creative Production and Management in the Performing Arts
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Reading Religion and Spirituality in Jamaican Reggae Dancehall Dance
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Performance and Performativity of Dalit Students Politics in India
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The Problems of Viewing Performance
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Analytic Philosophy and the World of the Play
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Stand Up
- Performing Pain
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Theatre and Postcolonial Desires
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Hypertheatre
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Moving Relation
- Gorgon in the Blue Room
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Michael Chekhov’s Pedagogy from Europe to America, Volume I
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Giving Voice
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Contemporary Performance and Political Economy
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Consent in Shakespeare’s Classical Mediterranean
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Choreographing the North
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Vladimir Nemirovich-Danchenko and the Moscow Art Theatre
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Tragic Resistance
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Performing Climates
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Performing Violence
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Navarasas, Autoethnodrama & DIY Immersive Theatre
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Performing Corporate Bodies
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Dancing Shakespeare
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Mess and Contemporary Performance
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Authentic Voice and Speech
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Stagecraft Rewired
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The Embattled Academy
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Brecon’s Hidden Theatre History, 1699–1870
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Becomings
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Theatre and Human Rights
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The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka
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The Inherent Potential in Art Performance
Roaa Ali is Lecturer in Creative and Cultural Industries at the University of Manchester, UK.
George Potter is Associate Professor in the Department of English and the Walter G. Friedrich Professor of American Literature at Valparaiso University, Indiana, USA.
Samer Al-Saber is Assistant Professor of Theatre and Performance Studies at Stanford University, USA. He is a member of the faculty at the Center for the Comparative Study of Race and Ethnicity (CCSRE) and the Abbasi Program in Islamic Studies.
| SKU | Unavailable |
| ISBN 13 | 9781032225463 |
| ISBN 10 | 1032225467 |
| Title | Arabs, Politics, and Performance |
| Author | Roaa Ali |
| Series | Routledge Advances In Theatre And Performance Studies |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Routledge |
| Year published | 2026-05-22 |
| Number of pages | 292 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |











































