Art, Design, and Animal Studies by Elizabeth Sutton
This volume is a comprehensive exploration of how animals have been depicted across different art forms throughout history.
Humans have portrayed animals in art since there have been tools to do so. Through more than twenty exemplary essays, this volume examines both the history of how humans have portrayed animals in art, as well as the robust discourse that has developed on human-animal relations—discourse that includes complex questions engaging Indigenous tradition, eco-feminism, evolutionary biology, animal behavior, animal rights, and technology and bio-engineering. The book is divided into thematically organized sections and includes chapters that range chronologically from early modernity to contemporary artistic and architectural practice, covering spaces such as galleries, museums, and public buildings. The first section is a broad overview of animals in art history; the second section looks forward and considers animals in contemporary art practices from both the perspective of artists and those interpreting and displaying the art. The third and fourth sections explore current efforts by designers, artists, and architects to engage in creative acts with, alongside, and for non-human animals, in practice and pedagogy.
This is an essential, overdue, international, and diverse collection suitable for researchers and students interested in animals throughout art and design.
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Disalienations
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Contemporary Art in Bosnia-Herzegovina
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Art and Modernism in Socialist China
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Drawing Pedagogy in Modern France
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The Primitivist Imaginary in Iberian and Transatlantic Modernisms
- The Plaster Cast Collection of the Metropolitan Museum of Art
- Art and the Waters of Italy
- The New Perspectiva Artificialis
- French Images of America in the Age of Revolutions
- Conceptual Art After Modernism
- The Creation, Diffusion, and Reception of Italian Art in the Early Modern Iberian World
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Apocalypse in British Art and Visual Culture in the Early Twentieth Century
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Exhibiting Animals in Europe and America
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John Cage Composing, Computing, and Curating
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Collections, Exhibitions and Museums in Portugal and Its Empire
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Ambition, Art, and Image-Making in an Early Quattrocento Court
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Sonic Sculpture and the Performative Impulse
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The Living Image in the Middle Ages and Beyond
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Bernini Ephemeral and Preparatory Sculpture
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The Visual Culture of al-Andalus in the Christian Kingdoms of Iberia
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Bananas, Art, and Visual Culture in Latin America and the Caribbean
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Gustav Klimt and Japanese Art in Fin-de-Siècle Vienna
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Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire
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The Victorian Idyll in Art and Literature
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Alexander the Great in Renaissance Art
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Historic Avant-Garde Work on Paper
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Rethinking Modern Austrian Art Beyond the Metropolis
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Art Collecting and Middle Class Culture from London to Brighton, 1840–1914
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Jewish American Identity and Erasure in Pop Art
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Surrealism and the People’s Republic of China
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Dada and Its Later Manifestations in the Geographic Margins
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Contemporary Art in the Post-Yugoslav Space
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Decay in Ruskin's Architecture, Geology, and Wisdom
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The Book of Hours and the Body
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Affect, Intimacy and Ecology of Mind in Neurofeedback Art
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Art and Artifice in Visual Culture
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Urban Feminist Visuality in Contemporary Pakistani Art
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Beauty and Monstrosity in Art and Culture
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Kandinsky’s Abstract Orientalism
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The Mobility of People and Things in the Early Modern Mediterranean
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James McNeill Whistler’s Reception and Artistic Legacy
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Theorising the Artist Interview
Elizabeth Sutton is Professor of Art History and Head of the Department of Art at the University of Northern Iowa, USA. She specializes in globalization and power in art as well as active pedagogical research.
With Ned Dodington who is founder and chief editor of The Expanded Environment and an accomplished architect, designer, design thinker, and advocate for non-human animal agency in the built environment.
| SKU | Unavailable |
| ISBN 13 | 9781032994383 |
| Title | Art, Design, and Animal Studies |
| Author | Elizabeth Sutton |
| Series | Routledge Research In Art History |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Taylor & Francis Ltd |
| Number of pages | 356 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |




































